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Feminist, Gender, and Sexuality Studies Commons™
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Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere
The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere
Theses and Dissertations
The Losses, The Heartbreaks, The Hungers… is a photographic body of work in which I engage in a conversation with myself on mental health and self-compassion. I am able to exist with myself within the same frame through the use of compositing techniques that depict a multiplicity of selves. In the work, I dwell in an isolated, psychological space that is constructed through a claustrophobic framing of the camera and black and white film imagery that accentuates the shadows and the light. The interactions with myself are of mixed nature: at times I am abusive to myself, but other times …
Self-Portraits And Gravity Bodies, Tim Foley
Self-Portraits And Gravity Bodies, Tim Foley
Theses and Dissertations
Self-portraiture allows for the rapid fruition of ideas. An analysis of the work of Francesca Woodman and Ana Mendieta shows how the artist’s body can be variably used in photography. David Wojnarowicz’s memoir establishes a connection between gravity and the human condition. My practice has been informed by this connection.
The Robert Giard Fellowship, Sarah Chinn
The Robert Giard Fellowship, Sarah Chinn
Center for LGBTQ Studies (CLAGS)
For several years we at CLAGS had wanted to work with the Robert Giard Foundation on a project for LGBT artists, but couldn't come up with the right vehicle. Eventually we hit on a perfect project: a fellowship for photographers and video artists working on queer and trans themes that would honor Robert Giard's legacy while directly supporting emerging and mid-career artists.
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Center for LGBTQ Studies (CLAGS)
In his 1997 book, Particular Voices: Portraits of Gay and Lesbian Writers, Robert Giard captures nearly 200 photographs of his contemporaries. Giard's compilation of these portraits of lesbian and gay writers, carefully accompanied with textual excerpts, led this coffee-table monograph to stand as a supreme example of what Giard himself describes as "the autobiography of one gay reader."