Feminist, Gender, and Sexuality Studies Commons^™

Pedagogy, Sexual Violence, And Contemporary Extremist Films: Baise-Moi (2000), Irréversible (2002), And Promising Young Woman (2020), Olivia Harris

All Theses

Baise-moi (dir. Virginie Despentes and Coralie Trinh Thi, 2000), Irréversible (dir. Gaspar Noé, 2002), and Promising Young Woman (dir. Emerald Fennell, 2020) embody characteristics of the extreme. Working from James Quandt’s formative writing in 2004, I define extremism as the purposeful inclusion of transgressive themes and situations. However, each of the selected films portrays the extreme under different production styles, aesthetics, and modes of storytelling. My connections to early exploitation film (a precursor to extremist cinema) demonstrate the genre’s important history of teaching and educating. Similar to the original intent of classical exploitation films, which taught spectators about taboo topics …

Loving Blackness: A Sense Experience, Ricardo J. Millhouse

Feminist Pedagogy

The late bell hooks framed feminist pedagogies as a set of practices and systems that provide a description of feminism, a feminist learning environment, and ways to cultivate a community that is ready for feminist instruction. Using intersectionality, hooks (1992) discussed “loving blackness” as a representational and destabilizing practice to de-center whiteness. hooks (1992, 20) writes, “loving blackness as a political resistance transforms our ways of looking and being, and thus creates conditions necessary for us to move against the forces of domination and death and reclaim black life.” I propose a black feminist praxis teaching tool, “a sense experience,” …

An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers

Theses and Dissertations

Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.

This thesis seeks to examine and unpack the perceived …