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Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Pedagogy, Sexual Violence, And Contemporary Extremist Films: Baise-Moi (2000), Irréversible (2002), And Promising Young Woman (2020), Olivia Harris
Pedagogy, Sexual Violence, And Contemporary Extremist Films: Baise-Moi (2000), Irréversible (2002), And Promising Young Woman (2020), Olivia Harris
All Theses
Baise-moi (dir. Virginie Despentes and Coralie Trinh Thi, 2000), Irréversible (dir. Gaspar Noé, 2002), and Promising Young Woman (dir. Emerald Fennell, 2020) embody characteristics of the extreme. Working from James Quandt’s formative writing in 2004, I define extremism as the purposeful inclusion of transgressive themes and situations. However, each of the selected films portrays the extreme under different production styles, aesthetics, and modes of storytelling. My connections to early exploitation film (a precursor to extremist cinema) demonstrate the genre’s important history of teaching and educating. Similar to the original intent of classical exploitation films, which taught spectators about taboo topics …
Anticolonial Feminism, Sylvia Moreno-Garcia, And The Female Gothic: A Textual Analysis Of Mexican Gothic, Hana Vega
Electronic Theses, Projects, and Dissertations
Latinx authors writing in English are challenging the western literary canon and the way stories are told through a western-centric lens. I argue that Mexican Canadian author Sylvia Moreno Garcia and her novel Mexican Gothic redefines the genre by telling the story of a British family living in 1950’s Mexico from an anti-colonial feminist lens. After a review of the literature on the gothic genre and how authors of color use it to respond to western-centric ideas in their own gothic novels, I am approaching the text using postcolonial and decolonial feminist theories to conduct a textual, genre, and ideological …
Malintzin: La Mujer Americana, Alma D. Elías Nájera
Malintzin: La Mujer Americana, Alma D. Elías Nájera
Crossings: Swarthmore Undergraduate Feminist Research Journal
Malintzin was a controversial Indigenous woman whose contributions to the Aztec conquest raised questions about what it meant to be a traitor with a limited agency. This essay recontextualizes Malintzin’s demonized identity and challenges masculinist sociocultural curations of gender, history, and knowledge production by infusing feminist theory into the cultural imaginaries of gender and racial stratification. By reintroducing Malintzin as a feminist emblematic figure trying to regain selfhood within an exploitative White cisheteropatriarchal society, her existence gives voice to those silenced by the violence of colonization, Manhood, and gender oppression. To do this, the author takes up the work of …