Feminist, Gender, and Sexuality Studies Commons^™

Pornography, The Lgbtq+ Community, And The Queer Alternative, Rebekah Gredler

Student Research Submissions

Pornography is a complicated and controversial topic. Much has been said about how porn may or may not affect individuals, but very little has been done in the academic community on how pornography affects the LGBTQ+ community. In debates of censorship and regulation of porn, their voices are often ignored in public debate in favor of straight, feminist, or puritanical, religious discourses. This is problematic because pornography, particularly queer pornography, has done much for the evolution and self-affirmation of the LGBTQ+ community. It would be remiss if such positive effects of such a controversial exploit were to go unacknowledged. In …

Article 6.21, Tatiana Stolpovskaya

Theses and Dissertations

Article 6.21 is a short documentary film that aims to examine the state of censorship around queerness in Russia today and its effects on personal lives in the queer community.

Twenty years after Russia decriminalized homosexuality, on June 30th in 2013, President Vladimir Putin signed Article 6.21 "for the Purpose of Protecting Children from Information Advocating for a Denial of Traditional Family Values", also known as the "Gay Propaganda Law". Its broad and ambiguous wording allows the government significant leeway in deciding what kind of public queerness is punishable.

In 2020 Russia passed multiple constitutional amendments that affect many areas …

Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy

Journal of Feminist Scholarship

The archive of Irish writer Kate O’Brien is a notable example of how queerness haunts the mainstream of feminist literary spaces. The 2019 Museum of Literature Ireland (MoLI) exhibition Kate O’Brien: Arrow to the Heart, which set out to restore this censored novelist’s place in the archive of twentieth-century Irish writing, provides a case study of these dynamics. Queer and feminist perspectives on the archive, with a focus on affect, hauntings and Sara Ahmed’s “queer use,” illuminate the conflicting epistemologies regulating the O’Brien archive. Reading this exhibition as an Irish queer, affective experience collides with entrenched structures of power …