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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 3 of 3
Full-Text Articles in Feminist, Gender, and Sexuality Studies
At The Dinner Table, Briana L. Kunstman
At The Dinner Table, Briana L. Kunstman
Audre Lorde Writing Prize
A young woman and feminist analyzes privilege and prejudice through the experience of being at a family dinner. She questions the way that people view “controversial conversations” and why they are labeled that way. As she opens discussions that are “politically charged” and “inappropriate” at the dinner table, she is met with criticism and questions. By looking at the #Metoo movement, 97% movement, Black Lives Matter movement, and Health at Every Size movement, alongside a variety of other significant points, the woman reflects on silenced voices, minority identities and basic human rights in America.
Anti-Pornography Feminism, Kinktok, And Consent: What We Can Learn From The Sex Wars And Leather/Sadomasochistic History, Nic Cloyd
Honors Theses
Sex education and LGBTQA+ history have long been censored and removed from curriculums across the United States. As this information has disappeared from our education systems, important values like consent and boundary setting have become increasingly obsolete despite the modern body autonomy movement. Leather and SM culture, which began post-WWII and reached their peak in the 1970s during the sexual liberation, have become increasingly important as their ethical and moral codes have been lost over time to the HIV/AIDs epidemic and censorship from second and third wave feminsism. Two prominent movements, anti-pornography and sex-work exclusionary radical feminism, have worked to …
Mei Lan-Fang: The Masculinist Idealization Of Femininity, Yangzhou Bian
Mei Lan-Fang: The Masculinist Idealization Of Femininity, Yangzhou Bian
Theatre Student Scholarship
Mei Lan-fang was the most well-known Beijing Opera practitioner specializing in the impersonation of historical and mythological female characters. His captivating performance style is known as “The School of Mei”. It balances the external stage presence and internal precision and attends to the minutiae. His performances were drawn predominantly from the classic repertoire, and they have won him the position that “no other Chinese actor attained and retained” (Scott ii). Despite the general perception of Mei’s contribution to the emancipation of women through his work and his self-assertion of sympathy towards their suffering, the underlying motivation may not be as …