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Wild Women Do Have The Blues: The Imagery Of Vaudeville Blueswomen And Their Influences On August Wilson And Sherley Anne Williams, Fangfang Zhu

Doctoral Dissertations

Via a synthesizing analysis of representative Vaudeville Blues songs in relation to the affiliated advertisements posted by recording labels in a major black newspaper, the Chicago Defender, in the 1920s, this dissertation project seeks to illustrate how the image of “wild” black women is presented, or performed in an ambivalent but contested space created by contending social, political, economic and cultural forces in the race record industry. Constrained by racist and sexist gaze, such presentations and performances of “wild” black women still seize rare chances to invite conscious feminist interpretations, as their “wildness” voices out female independency, assertion and …