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Full-Text Articles in Feminist, Gender, and Sexuality Studies

Undoing The Claim Of Objectivity: Contradictions At The Heart Of Bergtji Van Der Haak, Saudi Solutions (2005), Anisa Saeed Mohammed Nasser Apr 2015

Undoing The Claim Of Objectivity: Contradictions At The Heart Of Bergtji Van Der Haak, Saudi Solutions (2005), Anisa Saeed Mohammed Nasser

Journal of Religion & Film

This paper is a study of Bergtji van der Haak, Saudi Solutions (2005). It attempts to question Bergtji van der Haak’s claim of “objective” depiction of Saudi women’s “reality,” as well as the claim of portraying Saudi women through their perspectives as stated in the opening scene. The premise is that the editing strives to undercut the very views of the women that the film is claiming to present, and in the process it duplicates some of the very mechanisms of oppression that the film is denouncing. The documentary’s attempt at ‘subalternizing’ and diminishing Saudi women discloses the subjectivity of …


Iranian Women, Iranian Cinema: Negotiating With Ideology And Tradition, Najmeh Moradiyan Rizi Apr 2015

Iranian Women, Iranian Cinema: Negotiating With Ideology And Tradition, Najmeh Moradiyan Rizi

Journal of Religion & Film

Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, however, the new generation of Iranian women is negotiating the notions of femininity, sexuality, and modernity in Iran’s society. Along with this negotiation, Iranian cinema, as the visual showcase of Iranian culture and society, has recently represented an unprecedented portrayal of Iranian women on the screen. This portrayal stems from the gender consciousness of Iranian women …


Fill The Void, John C. Lyden Jan 2013

Fill The Void, John C. Lyden

Journal of Religion & Film

This is a film review of Fill the Void (2012) directed by Rama Burshtein.