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Full-Text Articles in Feminist, Gender, and Sexuality Studies

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford Aug 2023

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …


“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark Aug 2017

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark

Masters Theses

Queer theory predominantly aligns normative relations to normative experiences of time and connects queer affiliations to queer temporal spaces. Heterosexuality, marriage, sexual reproduction, and the family are hallmarks of normative temporality, as they enact and maintain a progressive, future-oriented, genealogical timeline. However, normative attachments do not always follow queer theory’s narrative of straight time. Closely observing the structure of normative relationships and, in terms of my study specifically, marriage, uncovers assumptions constructing the constitution of normative temporality. I discuss queer theoretical works by Lee Edelman, Jack Halberstam, José Esteban Muñoz, and others to see how current theories typically oversimplify normative …


Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks Mar 2016

Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks

Masters Theses

This thesis is a two-part work. Its components, a written paper and a one-night symposium/film screening event entitled Tennessee Williams: Gender Play in 2015 and Beyond, have been closely coordinated with my dramaturgical research for the February 2015 University of Massachusetts Amherst Department of Theater production of Cat on a Hot Tin Roof. The written inquiry is structured around a chronological, selected American production history of Cat; this history, rendered in a series of three case studies, will (1) synthesize preexisting analyses of Cat’s dramaturgical profile, its impact on American theater, and its position in Williams’s oeuvre; …


Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato Jan 2016

Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato

Masters Theses

The anti-hero character has steadily become more popular in contemporary literature, film, and television. Part of this popularity is due to the character's appeal to the audience. This character type often commits acts that challenge the regulations of society. These acts, however, can become wish fulfillment for some audience members, making the acts of the character a vicarious experience as well as making the character more relatable because of the character's flawed nature.

This study will trace some of the evolution of the female anti-hero by discussing an ancestral character of the female anti-hero—Hester Prynne the protagonist of Nathanial Hawthorne's …


Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris May 2012

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …


A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes Jan 1995

A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes

Masters Theses

No abstract provided.


A Room Of One's Own: The Women's Room, Lou Ellen Crawford Jan 1982

A Room Of One's Own: The Women's Room, Lou Ellen Crawford

Masters Theses

The recent resurgence of feminism has been accompanied by the development of feminist fiction. Identifying those characteristics by which feminist fiction adds to the American novel a new and valid perspective, feminist criticism has also flourished. Feminist critics agree that fiction with a new perspective demands critical evaluation from that same perspective; and Cheri Register provides a concise, thorough list of five elements which comprise effective feminist fiction. Of Register's five criteria, Carol Heilbrun stresses the equalizing, conciliatory influence of androgyny. Recent feminist authors have written many novels which perform one or more of the functions prescribed by Register. Three …