Open Access. Powered by Scholars. Published by Universities.®
Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 10 of 10
Full-Text Articles in Feminist, Gender, and Sexuality Studies
“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas
The Downtown Review
When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
The Downtown Review
While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …
Winter Wren By Theresa Kishkan, Vivian M. Hansen
Winter Wren By Theresa Kishkan, Vivian M. Hansen
The Goose
Review of Theresa Kishkan's Winter Wren.
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Ideology Of Madness: The Rejected Artist Vs. The Capitalist Society In As I Lay Dying, Jared R. Mcswain
The Ideology Of Madness: The Rejected Artist Vs. The Capitalist Society In As I Lay Dying, Jared R. Mcswain
Oglethorpe Journal of Undergraduate Research
This article examines the character of Darl Bundren in William Faulkner’s As I Lay Dying from the position that he is an artist functioning in a society that ultimately rejects and condemns him through the vessel of ideological conceptions of madness. Topics explored include the ideology of madness, the ideological project of capitalism, queering as a weapon to support an ideology, essential characteristics of “the artist” type, and the consequences of perceived madness.
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon
Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon
The Goose
Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.
Agent Red: Fashioning Agency In Margaret Atwood's The Handmaid's Tale, Christopher M. Yalen
Agent Red: Fashioning Agency In Margaret Atwood's The Handmaid's Tale, Christopher M. Yalen
Oglethorpe Journal of Undergraduate Research
In Margaret Atwood's The Handmaid's Tale, we are introduced to a dystopian patriarchal society named Gilead, where women are relegated to the roles of wife, servant, and surrogate. Although the men of Gilead have built this society with men at the top, the women of the novel show a surprising amount of agency within their own spheres of influence. So the question remains: who is really in control of Gilead? While men are certainly remain the figureheads of power in The Handmaid's Tale, we find that the women of the novel have copious influence within their own realms, …
Wounded Women, Varied Voice, Kathryn Johnston
Wounded Women, Varied Voice, Kathryn Johnston
Undergraduate Review
Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …