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Feminist, Gender, and Sexuality Studies Commons™
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- Ann;Woman in white;Law and the lady;Haunted hotel;Mysteries of Udolpho;English fiction;sensation novel;gothic novel;narrative in fiction;gender roles;female characters;female isolation;first person narrators;storytelling technique;Victorian England;literary criticism (1)
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Articles 1 - 4 of 4
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Textual Possession: Manipulating Narratives In Wilkie Collins's Sensation Fiction, Kieran Ayton
Textual Possession: Manipulating Narratives In Wilkie Collins's Sensation Fiction, Kieran Ayton
Honors Projects
Examines the mechanisms through which Collins updated the gothic novel to create the sensation novel, with particular emphasis on The Woman in White, The Law and the Lady, and The Haunted Hotel. Highlights Collins's use of transgressive gender characterization, whereby his main characters use documents to gain social power over other characters. Describes the influence of Ann Radcliffe's gothic novel, The Mysteries of Udolpho, on The Woman in White.
A Feminist Public Sphere? Virginia Woolf's Revisions Of The Eighteenth Century, Anne Fernald
A Feminist Public Sphere? Virginia Woolf's Revisions Of The Eighteenth Century, Anne Fernald
Anne E Fernald
No abstract provided.
Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz
Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz
Karen Bloom Gevirtz
This monograph argues that images of the widow in the early novel served to express, explore, and construct concepts of appropriate female activity in emerging capitalism during the eighteenth century in England. Drawing on novels published between 1719 and 1818, this study investigates how different classes of widows (affluent, working class, impoverished, and criminal) functioned to challenge and affirm emerging economic values. A concluding chapter on widows in Jane Austen's work shows how changing notions of appropriate female economic activity had settled by the establishment of both the capitalist economy and the novel in the early nineteenth century.
Frances Burney, Jan Wellington