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Feminist, Gender, and Sexuality Studies Commons™
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- Anecdotes (1)
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- Don Quixote; Madame Bovary; Virginia Woolf; Elsa Morante; twentieth-century women's literature; feminist metafiction (1)
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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
The Uprising Of The Anecdotes: Women’S Letters And Mass-Produced News In Jacob’S Room And Three Guineas, Ria Banerjee
The Uprising Of The Anecdotes: Women’S Letters And Mass-Produced News In Jacob’S Room And Three Guineas, Ria Banerjee
Publications and Research
This short article explores the similarities between Walter Benjamin's theory about the disruptive potential of an anecdote vis-a-vis the conventional narrative and Virginia Woolf's use of anecdotes in her novel, Jacob's Room and her anti-war treatise, Three Guineas.
Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo
Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo
Dissertations, Theses, and Capstone Projects
This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …
Playing With Matches: Matchmaking As Authorship In The Nineteenth-Century Marriage Plot, Colleen Cusick
Playing With Matches: Matchmaking As Authorship In The Nineteenth-Century Marriage Plot, Colleen Cusick
Dissertations, Theses, and Capstone Projects
This dissertation examines the narrative treatment of matchmakers in British marriage plots across the nineteenth century. In an era of increasing state control over marriage and the rising ideology of romantic marriage, the matchmaker represents the communal courtship practices of the past. As such, she offers both a threat to the emerging status quo and a reminder of the persistence of superseded cultural forms in the modern marriage system. Simultaneously, she constitutes an image of female creativity and authority that speaks to concerns about the professionalization of novel-writing and the place of women writers within that profession. Through this focus …
Heavy Expectations: Reading Pregnancy In The Victorian Novel, Livia Arndal Woods
Heavy Expectations: Reading Pregnancy In The Victorian Novel, Livia Arndal Woods
Dissertations, Theses, and Capstone Projects
This dissertation articulates the tendency of Victorian novels to make legible only the pregnant bodies of immodest characters who transgress gendered ideologies while the pregnant bodies of modest characters tend to go undescribed. Tracing the medicalization of pregnancy and childbirth over the course of the long nineteenth century, my chapters demonstrate the function of moralizing narrative conventions in the representation of pregnancy in mid-Victorian novels, of a self-conscious use of free indirect diagnosis in high-Victorian fiction, and a shift at the fin-de-siècle from pregnancy as a signifier of morality to a symptom of unstable minds. The novels I read closely …
Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun
Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun
Dissertations, Theses, and Capstone Projects
Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …