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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities, Cassidy Sheehan
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities, Cassidy Sheehan
Undergraduate Research Posters
Fans of a particular media source often write fan fiction to build on, deviate from, and transform original source material. The BBC’s Sherlock is not exempt from this common practice; in fact, the homoerotic subtext which persistently endures within the show lends itself to the production of slash fan fiction. Many perceive this subtext as a method of queer-baiting, or an ultimately harmful tactic used by writers and producers to lure in queer viewers. In this paper, dialogue and scenes from the show itself are compared to excerpts from works of fan fiction in order to explore reactions to queer-baiting …
Queer Mysticism In The High Middle Ages: Pain, Love, Earth, And The Female Body In The Illustrations Of Hildegard Of Bingen’S Scivias, Becky Bushnell
Queer Mysticism In The High Middle Ages: Pain, Love, Earth, And The Female Body In The Illustrations Of Hildegard Of Bingen’S Scivias, Becky Bushnell
Undergraduate Research Posters
Many view Hildegard of Bingen as one of the most important female theologians of the 12th century, and her writing and sphere of influence is remarkable considering her gender. Many scholars, like Barbara Newman, Caroline Walker Bynum, and Carolyn Worman Sur, agree that Hildegard’s portrayals of God in Scivias are distinctly feminine. Scholars like Karma Lochrie, Sheryl Chen, and Flora Lewis have written on Christ’s wound as a metaphor for the womb or vulva. Yet what scholars don’t seem to focus on, as Lochrie writes in “Mystical Acts, Queer Tendencies,” is the ways that the work of many female mystics …
New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller
New Patriarchies: A Turbulence Of Source And Subject, Stephen Fuller
Theses and Dissertations
Experiencing a turbulence of source and subject in the variable inversions and supports of one source to another--the wreck of the U-352, Carpeaux’s Ugolino and his Sons, a movie poster for J.A. Bayona’s The Impossible, and Cassiopeia mythology--these four sources as sons, in sacrifice to and surviving by way of “daddy” documentation, are here refigured to reenact and critique the patriarchally recreational, monumental, cinematic, and mythological infrastructures supporting the sources of this work and thereby serving to critique the newer patriarchies to which these sources and their subjectifications here seek to cross consumptively dead end. Following three public …