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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Maidenhood, William L. Blizek
Maidenhood, William L. Blizek
Journal of Religion & Film
This is a film review of Maidenhood (2022) directed by Xóchitl Enríquez Mendoza.
Long Line Of Ladies, William L. Blizek
Long Line Of Ladies, William L. Blizek
Journal of Religion & Film
This is a film review of Long Line of Ladies (2022), directed by Rayka Zehtabchi and Shaandiin Tome.
Two-Spirit Mexica Youth And Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), And Libertad (2015), Gabriel S. Estrada
Two-Spirit Mexica Youth And Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), And Libertad (2015), Gabriel S. Estrada
Journal of Religion & Film
Independent directors Peter Bratt, Adrian Baker, and Avila-Hanna create differing trans-border queer Indigenous media that resist Eurocentric cic-heteropatriarchy. While Bratt’s feature-length narrative film La Mission (2009) features a masculine Mexica gay teenager who survives fused homophobic and trans*-phobic violence, Baker’s short animation Two Spirit: Injunuity (2013) makes stronger trans* and two-spirit Mexica youth identity affirmations. Avila-Hanna’s short documentary Libertad (2015) offers the clearest transgender narrative of the three films as it focuses on a California transgender Mixtec immigrant activist who is coming of age as a woman with the aid of hormones and gender affirming surgery. This article’s trans*- and …
I Dream In Another Language, John C. Lyden
I Dream In Another Language, John C. Lyden
Journal of Religion & Film
This is a film review of I Dream in Another Language (2017), directed by Ernesto Contreras.
Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, And Sci-Fi Film, Gabriel S. Estrada
Cloud Atlas’ Queer Tiki Kitsch: Polynesians, Settler Colonialism, And Sci-Fi Film, Gabriel S. Estrada
Journal of Religion & Film
Polynesian theories of film reception, visual sovereignty, feminisms, and worldview offer critical insights into The Wachowskis' and Tykwer's 2012 film Cloud Atlas. From Indigenous and Native feminist film perspectives, Cloud Atlas offers a sci-fi future deeply entrenched in the queer tiki kitsch of settler colonialism as situated within a comparative context of other queer Indigenous film. As an example of heteropatriarchal settler colonialism, the Cloud Atlas plot supports the heterosexual triumphs of cross-racial couples and sublimates the possibilities of transgender reincarnation. Although Cloud Atlas attempts to critique Christian slavery and defend a secular abolitionist stance in the 1848 South Pacific, …