Feminist, Gender, and Sexuality Studies Commons^™

Iconoclastic Fervor : Sally Hazelet Drummond, Abstract Expressionism And Curatorial Practice., Hillary Sullivan

Electronic Theses and Dissertations

Sally Hazelet Drummond is an iconoclastic artist situated within the revolutionary movement of Abstract Expressionism. Drummond is the first female to graduate from the Hite Art Institute, earning a master’s in painting in 1952. During her study at the University of Louisville she explored Abstract Expressionism. In 1953 Drummond joined the Tanager Gallery, one of the Tenth Street artists’ co-ops. In the midst of Willem De Kooning, Ad Reinhardt and Mark Rothko, Drummond refined her work into a simplified, contemplative style that she continued to develop over the course of her life. Drummond described Abstract Expressionism as a kind of …

Female Artists And The Spanish Pavilion In The International Exhibition In 1937, Carmen Gaitán Salinas

Dissidences

This article aims to elucidate why the majority of Spanish female artists did not participate in the Spanish Pavilion of the International Exhibition in 1937. Only two of them took part in this event. However, there were a lot of female artists in that period. In fact, some artists had a promising career, but it seems that they did not dare to be involved in this exhibition in the Spanish Pavilion. In some cases, the no participation of some female artists could have been a simple coincidence, although it should be pointed out that there could be other reasons related …

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …

Resilient Russian Women In The 1920s & 1930s, Marcelline Hutton

Zea E-Books Collection

The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times.

The Russian Revolution launched an economic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women’s social, sexual, economic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation …

Erichtho’S Mouth: Persuasive Speaking, Sexuality And Magic, Lauren E. Devoe

University of New Orleans Theses and Dissertations

Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and just as often terrifying and aged, like Shakespeare’s Wyrd Sisters, the witch lives ever just outside the margins of polite society. In John Marston’s Sophonisba, or The Wonder of Women the witch’s ability to persuade through the use of language is Marston’s commentary on the power of poetry, theater and women’s speech in early modern Britain. Erichtho is the ultimate example of a terrifying woman who uses linguistic persuasion to change the course of nations. Throughout …

Lydia At A Tapestry Frame: Recognizing Decorative Elements In Mary Cassatt's Art, Cortney Anderson

Theses and Dissertations

Mary Cassatt (b. 1844) painted her sister Lydia working at an embroidery frame while the two shared a home in Paris in 1881. Considering the painting’s subject, needlecraft, Lydia at a Tapestry Frame presents the opportunity to investigate Cassatt’s engagement with artistic movements associated with neo-medievalism and the Arts and Crafts Movement. In light of contemporary writings that explored the artistic potential of needlecraft and decoration, Lydia’s hobby presented Cassatt with the opportunity to showcase the artistic and self-expressive potential of a gendered medium. The formerly unrecognized “art” had the potential to show that women and their decorative crafts could …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

The Greek Youthening: Assessing The Iconographic Changes Within Courtship During The Late Archaic Period, Jared Alan Johnson

Masters Theses

During the late sixth century and early fifth century B.C., Athenian vase painters started experimenting with a new medium (i.e. red figure). Black figure was still the predominant medium by the early fifth century B.C., and its pederastic scenes on some of the vases belonged to a coherently consistent presentation or a conventional set of images. However, the conventional pederastic motifs of black figure, such as the differentiation in height between figures, the variation among lovers (e.g. bearded erastes and unbearded eromenos), and the appearance of courtship gifts all started to disappear in red figure throughout the fifth century B.C. …

Constructing Helen Frankenthaler: Redefining A 'Woman' Artist Since 1960, Alexandra P. Alberda

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis addresses how academics, curators, and art writers in the popular press reviewed Helen Frankenthaler during her major retrospectives of 1960 (The Jewish Museum), 1969 (The Whitney Museum of American Art), and 1989 (The Museum of Modern Art). Included is an examination of how she has been written about after her death in 2012, with analysis of the changes in the language used to critique the artist and her work as influenced by the advent of feminist theory, social history, and gender theory. I examine recent exhibitions on Frankenthaler at the Gagosian Gallery, New York City, and the Albright-Knox …

Between Historical Truth And Story-Telling: The Twentieth-Century Fabrication Of “Artemisia”, Britiany Daugherty

School of Art, Art History, and Design: Theses and Student Creative Work

This research focuses on the twentieth century rediscovery of the seventeenth-century Italian painter Artemisia Gentileschi by scholars, novelists, playwrights, filmmakers, and artists. I argue that the various authors who told her story constructed two distinct “Artemisias,” what I identify as the “Academic Artemisia” and the “Celebrity Artemisia.” The “Academic Artemisia” results from writings by scholars focused on her 1610 Susanna and the Elders, who used approaches from formalism and connoisseurship, to feminism and iconography. The “Celebrity Artemisia” stems from popular fictions that refashioned the life and art of Artemisia according to pop culture tastes. Studying what has been said about …

Woodrow Wilson’S Ideological War: American Intervention In Russia, 1918-1920, Shane Hapner

Best Integrated Writing

Shane Hapner analyzes the effects of Woodrow Wilson’s principle of self-determination on American intervention in Russia from 1918-1920 in this essay written for the Integrated Writing course HST 4220: Soviet Union, taught by Dr. Seam Pollock at Wright State University.

Circular Thinking: An Original Analysis Of Lord Of The Flies, John Callon

Best Integrated Writing

John Callon examines traits of circular thinking and imagery in William Golding’s Lord of the Flies in this essay written for the Integrated Writing course ENG 4560: Capstone in Integrated Language Arts Curriculum, taught by Dr. Nancy Mack at Wright State University.

Are The Main Institutional Changes That Created The “Business Man” Still Relevant?, Hayden Joblin

Best Integrated Writing

Hayden Joblin examines the forces driving the evolution of the modern business man and whether those still have relevance in this essay written for the Integrated Writing course EC 3190: Institutional Economics, taught by Dr. Hee Young Shin at Wright State University.

Identifying Genes Involved In Suppression Of Tumor Formation In The Planarian Schmidtea Mediterranea, Erin Dorsten

Best Integrated Writing

Erin Dorsten makes a proposal for a scientific study of experiments to identify genes involved in protecting an organism with negligible senescence from tumor formation in this piece written for the Integrated Writing course BIO 4020: Current Literature: Biology of Regeneration, taught by Labib Rouhana at Wright State University.

The Barb Report, Elizabeth Schoppelrei

Best Integrated Writing

Elizabeth Schoppelrei explores issues of sexuality, kindness, masculinity, discrimination, and respect in this short story written for the Integrated Writing course ENG 4830: Advanced Fiction Writing Seminar, taught by Dr. Erin Flanagan at Wright State University.

How To Recover From The Great Recession And Reduce The Government Debt, Hunter Cregger

Best Integrated Writing

Hunter Cregger proposes how to recover from the Great Recession of the 2000s and reduce government debt in this essay written for the Integrated Writing course EC 2050: Principles of Macroeconomics, taught by Dr. Hee Young Shin at Wright State University.

Inter-Tribal Disunity: An Analysis Of Inter-Tribal Conflict During The Black Hawk War Of 1832, Megan Bailey

Best Integrated Writing

Megan Bailey explores the effects of inter-tribal disunity and conflict on the Black Hawk War of 1832 in this essay written for the Integrated Writing course HST 3000: Introduction to Historical Analysis, taught by Dr. Noeleen McIlvenna at Wright State University.

Effects Of Caffeine And Vitamin E On Wisconsin Fast Plant, Sarah Ferguson

Best Integrated Writing

Sarah Ferguson examines the effects of caffeine and vitamin E on the growth of Wisconsin Fast Plant in this piece written for the Integrated Writing course BIO 3450: Concepts of Biology I for Early and Middle Childhood Education, taught by Mr. Len Kenyon at Wright State University.

Best Integrated Writing 2015 - Complete Edition

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.

Beyond Rodin: Revisiting The Legacy Of Camille Claudel, Shannon R. Callahan

Student Publications

French sculptress Camille Claudel has gained recognition in the past 30 years due to a focus on her tragic life rather than her artistic talent. Despite critical acclaim and respect amongst her peers during the late 19th and early 20th centuries, her affair with Auguste Rodin and her struggles with mental illness have cast a dark, dramatic shadow over modern interpretations of Claudel’s oeuvre. Considering how difficult it was for a woman to be working as an artist at this time, Claudel’s sculptures should not be outweighed by her personal life. In order to challenge the reader not to accept …

Motherhood In The Feast Of St. Nicholas, Rukmini Girish

Audre Lorde Writing Prize

No abstract provided.

Reporting On What Jane Saw 2.0: Female Celebrity And Sensationalism In Boydell’S Shakespeare Gallery, Janine Barchas

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay reports on ongoing efforts to build an accurate digital model of John Boydell’s popular Shakespeare Gallery precisely as it looked in August 1796—when a 20-year-old Jane Austen visited London’s sites, staying within a ten-minute walk from the gallery. The essay argues for the substantial difference between studying Boydell’s pictures in a paper volume (whether as lists, illustrations in books, or engraved folio plates) and viewing them as an exhibition of paintings on walls, albeit virtual ones. For example, the digital reconstruction illuminated commissions from several female participants in Boydell’s male-dominated gallery, especially Angelica Kauffman (1741-1807) and Anne Seymour …

Frontier Respectability To Gilded Age Splendor: Women And Consumerism In The Cultural Development Of Bloomington, Illinois, 1839-1900, Kera B. Storrs

Theses and Dissertations

This thesis examines the importance of late nineteenth century gender ideals and consumer practices in the development of the city of Bloomington in McLean County, Illinois. Most histories of not only Bloomington, but the greater Midwest, have focused on the rise of industry and business, and their effect on the development of the region. This study instead places women's social and cultural activities at the center of the story, and explains the significance of feminine consumption to the community's growth from a small frontier village to a Gilded Age city. While all of Bloomington's classes played a role in this …

Let The Record Show: Mapping Queer Art And Activism In New York City, 1986-1995, Tara Jean-Kelly Burk

Dissertations, Theses, and Capstone Projects

Although scholars increasingly scrutinize late twentieth-century American art produced in relation to social movements organized around feminism, anti-racist politics, health activism, and LGBTQ (lesbian, gay, bisexual, transgender, queer) identity, scholars usually fail to address the importance of printed ephemera as a medium of artistic expression. Ephemeral materials, such as posters, are cheap to make and print. They are typically distributed illicitly via un-commissioned wheat-paste campaigns in urban public space. Collectives tend to make their designs copyright-free to encourage wide distribution. Particularly in the era before digital social media, these materials were central to the ways in which communities coalesced in …

Finding Aid To The Collection Of Vernon Lee Materials, Violet Paget, Colby College Special Collections

Finding Aids

The Vernon Lee Collection at Colby College contains over 1000 letters, 136 manuscripts and articles, 117 photographs, and a small number of personal documents and artifacts, spanning the years 1866-1960. First and subsequent editions of Vernon Lee titles are described in the Colby Libraries web catalog. Materials arranged in seven series: Correspondence from Vernon Lee, Correspondence to Vernon Lee, Manuscripts, Published Writings, Photographs, Personal Items and Artifacts, and Clippings.

'Each Wise Nymph That Angles For A Heart': The Politics Of Courtship In The Boston 'Fishing Lady' Pictures, Andrea Pappas

Art and Art History

This essay examines the Boston fishing lady embroideries in light of eighteenth-century courtship practice, depictions of women anglers in prints and on decorative porcelain, and recreational fishing in colonial culture. In representing the fishing lady as a successful independent angler, women needleworkers addressed, and even covertly resisted, male control of courtship, a crucial life transaction. The regular placement of the image of the fishing lady in the narratives created by the complex embroideries asserts the woman’s pivotal, if brief, authority in the courtship process.

Women Surrealist Photographers And Their Response To The Objectification Of Women In Male Surrealist Art, Lois X. Nguyen

Undergraduate Research Posters

Objectification of women in Male Surrealist art depicted the male gaze in its darkest form, through the ideas of the uncanny, fetish, and convulsive beauty. Women were treated as objects throughout Surrealist photography and painting instead of as human subjects. Their femininity and beauty were valued to the extent of held belief that a woman’s destiny is to be beautiful and be present for the male gaze. Women Surrealists have gained notoriety in the last sixty years for their presence in the Surrealist movement and for their diligence in providing the female perspective in opposition to the male perspective.

This …

Queer Mysticism In The High Middle Ages: Pain, Love, Earth, And The Female Body In The Illustrations Of Hildegard Of Bingen’S Scivias, Becky Bushnell

Undergraduate Research Posters

Many view Hildegard of Bingen as one of the most important female theologians of the 12th century, and her writing and sphere of influence is remarkable considering her gender. Many scholars, like Barbara Newman, Caroline Walker Bynum, and Carolyn Worman Sur, agree that Hildegard’s portrayals of God in Scivias are distinctly feminine. Scholars like Karma Lochrie, Sheryl Chen, and Flora Lewis have written on Christ’s wound as a metaphor for the womb or vulva. Yet what scholars don’t seem to focus on, as Lochrie writes in “Mystical Acts, Queer Tendencies,” is the ways that the work of many female mystics …

‘Fuchsia Lipstick’: The Domestication Of Lee Krasner In Post-War Criticism, Aleisha E. Barton

Richard A. Harrison Symposium

After the Second World War, the art world shifted from Europe to New York and a new form of painting that defined itself as distinctly American demanded attention from the public. This style, abstract expressionism, created an inability to survey clear subject matter allowed critics to imply gendered metaphorical resonances within works, as meanings were fluid and inconclusive to the viewer. Coupled with instability in the social sphere, artistic abstraction served as motivation for critics to seek out gendered aspects within an artwork, identifying and constructing difference to preserve order and control in a society that had dramatically changed from …