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Full-Text Articles in Feminist, Gender, and Sexuality Studies
An Intersectional Feminist Perspective Of Emmett Till In Young Adult Literature, Claire Jones
An Intersectional Feminist Perspective Of Emmett Till In Young Adult Literature, Claire Jones
Electronic Theses and Dissertations
Emmett Till’s murder inspired many novelists, poets, and artists. Recently, Till has inspired several feminist young adult novelists who are introducing his case in an intersectional way to a new generation of readers. The works that I have studied are A Wreath for Emmett Till (2003) by Marilyn Nelson, The Hunger Games Trilogy (2008-2010) by Suzanne Collins, and Midnight without a Moon (2017) by Linda Jackson. By examining how the authors employ a feminist perspective, readers can understand how they are striving for a more inclusive, intersectional feminist movement. This is significant because the publishing industry, specifically for Young Adult …
African American Grandmothers As The Black Matriarch : You Don't Live For Yourself., Tanisha Nicole Stanford
African American Grandmothers As The Black Matriarch : You Don't Live For Yourself., Tanisha Nicole Stanford
Electronic Theses and Dissertations
This study examined historical and contemporary roles of African American grandmothers within the familial system, and their socio-psychological experiences. The primary method of data collection was semi-structured, conversational style interviews with an oral history aspect. There were six grandmothers interviewed, two from the midwest region of the United States, and four from the southern region. The findings reveal stories that corroborate with the literature on the role of women in African American families and that of the Black matriarch, considering their strength are not inherent but necessary. They are not born matriarchs or strong black women, they become that person …
The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples
The Classical Versus The Grotesque Body In Edith Wharton's Fiction, Joshua T. Temples
Electronic Theses and Dissertations
In her landmark works The House of Mirth (1905), The Custom of the Country (1913), and The Age of Innocence (1920), Edith Wharton responds to earlier depictions of the classical, pure Victorian and Edwardian woman. Wharton's "inconvenient" women overturn popular stereotypes. Subsequently, they are barred from their social groups, but they are independent, unlike the complicit and obedient women of the classical body, most of whom ascribe to the trope of the "Angel in the House." The grotesque seeks to undercut the unrealistic expectations enforced by the classical through its embodiment of progression and humanity, and Wharton is drawn to …