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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Day Of The Woman?: Feminism & Rape-Revenge Films, Kayley A. Viteo
Day Of The Woman?: Feminism & Rape-Revenge Films, Kayley A. Viteo
Electronic Thesis and Dissertation Repository
This thesis examines the horror film sub-genre of ‘rape revenge’ for the ways it reflects and helps to constitute broader public debates about women and feminism. In order to do so, it examines two well-known representatives of the sub-genre, Last House on the Left and I Spit On Your Grave. Both of these films were initially made in 1972 and 1978 respectively and were recently remade in 2009 and 2010. This thesis examines both the originals and the remakes of these films within and against their socio-historical context, with a specific focus on dominant discussions about feminism and women taking …
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Electronic Thesis and Dissertation Repository
This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …
Born Again Hard : Transgender Subjectivity In Paul Chadwick's Concrete, Justin Raymond
Born Again Hard : Transgender Subjectivity In Paul Chadwick's Concrete, Justin Raymond
Electronic Thesis and Dissertation Repository
Born Again explores how the alien-hybrid character Concrete from the eponymous comic can be used to generate understanding of transgender (trans) lives. I use Eve Kosofsky Sedgwick's concept of reparative reading in order to formulate an understanding of Concrete that generates new theoretical insight into trans lives, while also ensuring the development of what Viviane Namaste calls “ethical trans theory.” Born Again argues that even though Concrete does not “look like a transgender person is supposed to,” his experiences of gender dissonance and queer optimism allow him to act as a source of amelioration and pleasure for readers who are …
Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz
Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz
Electronic Thesis and Dissertation Repository
My dissertation, which works at the intersections of feminist theory, architectural theory and postcolonial literary theory, examines the spatiality of the zenana and the burqa as represented in Pakistani literary and cultural texts. I propose that the burqa creates a portable closet, an interstitial, liminal, “third space” that allows Pakistani (secluded and veiled) women to not only traverse the borders between the private (female, domestic) and public (male) spaces, but to also signal chastity and religiosity while in the public, and semi-public spaces of the cities and villages of Pakistan. I argue that the dupatta, the chador and the hijab …
From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel
From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel
Department of English Publications
Introduction:
Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …