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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 12 of 12
Full-Text Articles in Feminist, Gender, and Sexuality Studies
‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun
‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun
Journal of Religion & Film
In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
Journal of Religion & Film
While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.
A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih
A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih
Journal of Religion & Film
The title of this paper reflects our interpretation of this film as a subversive mystical text, from within the Jewish tradition of Kabbalah. This interpretation is itself the product of a long journey of thinking about, and wrestling with this film in various ways. In this paper, we will outline this journey, concentrating on our first impressions of the film, some notable shifts in our thinking on this film that alerted us to the connection between the film and Jewish mysticism, and some concluding remarks about the implications of this reading.
Novitiate, Joshua Canzona
Novitiate, Joshua Canzona
Journal of Religion & Film
This is a film review of Novitiate (2017) directed by Maggie Betts.
Thelma, Kevin V. Dodd
Thelma, Kevin V. Dodd
Journal of Religion & Film
This is a film review of Thelma (2017) directed by Joachim Trier.
Beast, Rubina Ramji
Beast, Rubina Ramji
Journal of Religion & Film
This is a film review of Beast (2018), directed by Michael Pearce.
Women Are Speaking Up At Sundance, Rubina Ramji
Women Are Speaking Up At Sundance, Rubina Ramji
Journal of Religion & Film
Women speak up at Sundance 2018.
Quiet Heroes, William L. Blizek
Quiet Heroes, William L. Blizek
Journal of Religion & Film
This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.
Puzzle, John C. Lyden
Puzzle, John C. Lyden
Journal of Religion & Film
This is a film review of Puzzle (2018), directed by Marc Turtletaub.
The Miseducation Of Cameron Post, John C. Lyden
The Miseducation Of Cameron Post, John C. Lyden
Journal of Religion & Film
This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.
Half The Picture, John C. Lyden
Half The Picture, John C. Lyden
Journal of Religion & Film
This is a film review of Half the Picture (2018), directed by Amy Adrion.
Believer, John C. Lyden
Believer, John C. Lyden
Journal of Religion & Film
This is a film review of Believer (2018), directed by Don Argott.