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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Queering The Spheres: Non-Normative Gender, Sexuality, And Family In Three Victorian Texts, Randi Mihajlovic
Queering The Spheres: Non-Normative Gender, Sexuality, And Family In Three Victorian Texts, Randi Mihajlovic
Electronic Theses and Dissertations
In my thesis, I use a queer theoretical lens to consider three Victorian texts, Hesba Stretton’s “The Ghost in the Clock Room,” Christina Rossetti’s “Goblin Market,” and J. Sheridan Le Fanu’s Carmilla. I apply queer theory to locate these authors’ attempts to destabilize heteronormativity by depicting non-normative gender roles, sexualities, and families in texts that emphasize the Victorian ideology of separate spheres. Many scholars imagine the separation of spheres as simply relegating women to a domestic sphere that reinforced traditional values and restricted their power. However, these works demonstrate that opportunities for power and queer possibility exist within the home …
Flinging The Apron And Tearing The Kerchief: Janie Crawford's Gestures In Zora Neale Hurston's Their Eyes Were Watching God, Madeline Elizabeth Celley
Flinging The Apron And Tearing The Kerchief: Janie Crawford's Gestures In Zora Neale Hurston's Their Eyes Were Watching God, Madeline Elizabeth Celley
Electronic Theses and Dissertations
In this thesis, I argue that in her 1937 novel Their Eyes Were Watching God, Zora Neale Hurston demonstrates protagonist Janie Crawford's development through her use of gesture. As the narrative moves throughout Janie's life, she becomes progressively able to communicate her feelings and desires through the use of her body's movements. By depicting Janie's subjectivity as fundamentally embodied, Hurston indicates an awareness of the cultural oppression Janie suffers, linking her body to those of women in the past that suffered as slaves. She draws attention to Janie's body by relying on her gestures in order to emphasize the …