Feminist, Gender, and Sexuality Studies Commons^™

The Dancer's Paradox: Dance In Egyptian Film, Roberta L. Dougherty

Roberta L. Dougherty

Whether It’S Coins, Fringe, Or Just Stuff That’S Sparkly': Aesthetics And Utility In A Tribal Fusion Belly Dance Troupe’S Costumes, Jeana Jorgensen

Jeana Jorgensen

As both a scholar and a belly dancer, I believe that belly dance is recognizable on aesthetic grounds. In addition to the movements that belly dancers typically perform—muscle isolations, undulations, graceful hand motions and turns, and lots of hip work—belly dancers wear costumes that are visually identifiable as belly dance costumes. While this description may seem tautological, there are recognizable standards both in the public sphere and among dancers for what constitutes the belly dance image—or images, as belly dance is a diverse phenomenon that encompasses teaching, learning, performing, watching, socializing, and costuming.

Dancing The Fairy Tale, Laura E. Katz Rizzo

Laura E Katz Rizzo

“Dancing the Fairy Tale offers a new historical perspective on the development of the art of ballet, and how women have played pivotal roles as performing artists, directors, and producers. Laura Katz Rizzo uses The Sleeping Beauty as her vehicle and she debunks the prevailing historical narrative that ballet’s evolution has been linear and dominated by male choreographers and directors. She successfully argues that the ballerina is an integral part of the creative process. Well written, and extensively researched, Dancing the Fairy Tale will be a welcome addition to any balletomane’s library, and an excellent text for courses in dance …

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Melissa A. Ames

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Byron And The Choreography Of Queer Desire, Steven Bruhm

Steven Bruhm

No abstract provided.

Dance And The Dancer In Egyptian Film, Roberta L. Dougherty

Roberta L. Dougherty

No abstract provided.