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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Thawra, Olivia Snow Smith
Thawra, Olivia Snow Smith
Senior Projects Spring 2019
Senior Project submitted to The Division of Languages and Literature of Bard College.
Maidens In Maizes: Johnson, Grimms, D'Aulnoy, Hannah M. Johnson
Maidens In Maizes: Johnson, Grimms, D'Aulnoy, Hannah M. Johnson
Senior Projects Spring 2019
Senior Project submitted to The Division of Languages and Literature of Bard College. A German Studies and Written Arts joint project, with a collection of original fairy tales as well as an in-depth analysis of female agency, female mutilation, religious influence, and language within the fairy tales of Grimms and Madame d'Aulnoy.
Bound To Rise, Morgan P. H. Bielawski
Bound To Rise, Morgan P. H. Bielawski
Senior Projects Spring 2019
Senior Project submitted to The Division of Languages and Literature of Bard College.
Bound to Rise is a collection of short stories about people who discover themselves in the “fine drizzly rain” (or smirr, in Scottish lingo) of everyday life. They orient themselves and find some way forward, or they realize they have to. Thematically, it addresses a carnival (the carnivalesque), a demolition derby, multiple fires, photography, drinking, music, an eating disorder, and a birthday cake. It includes one original children’s story written in Russian and translated into English by the author.
How To Hold The Sky, Summer Grace Flemister
How To Hold The Sky, Summer Grace Flemister
Senior Projects Spring 2019
Senior Project submitted to The Division of Multidisciplinary Studies and Languages and Literature of Bard College.
"The Raw Material Of Talk:" Svetlana Alexievich's Literary And Humanistic Response To Suffering, Mana Hao Taylor
"The Raw Material Of Talk:" Svetlana Alexievich's Literary And Humanistic Response To Suffering, Mana Hao Taylor
Senior Projects Spring 2019
This paper examines Svetlana Alexievich’s genre of documenting voices of survivors of traumatic Soviet experiences through three of her books: The Unwomanly Face of War: And Oral History of Women in World War Two, Voices from Chernobyl: An Oral History of a Nuclear Disaster, and Secondhand Time: The Last of the Soviets. It engages in a literary analysis based on the study of the narrative structure and the unique authorial techniques used by the author as a witness of other's pain and a listener actively engaged in the storytelling process. Studying these narratives of suffering, deprivation, and identity crises reveals …