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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 30 of 147
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Critiquing The Discourse On Women In The Edo Era: Intertextual Studies Of Ariyoshi’S Hanaoka Seishū No Tsuma, Nina Alia Ariefa, Melani Budianta, Dhita Hapsarani
Critiquing The Discourse On Women In The Edo Era: Intertextual Studies Of Ariyoshi’S Hanaoka Seishū No Tsuma, Nina Alia Ariefa, Melani Budianta, Dhita Hapsarani
Paradigma: Jurnal Kajian Budaya
Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and …
山松晓 / Shan Song Xiao, 熙福 著, Xi Fu
山松晓 / Shan Song Xiao, 熙福 著, Xi Fu
Zea E-Books Collection
故事梗概 这本书描写一百年来一家三代女儿的家族故事,从外祖母,母亲,再到女儿,她们生活在有重叠的生活里,又各自有着不同时代不同主旋律的生活轨迹。光阴荏苒,人生匆匆,回首过往,记录生活。 书中的人物以真实人物为原型,作者将真实名字略去,并在故事情节上加以了丰富和构想。 作者:熙福
ShanSongXiao 'Morning Pine on the Mountain' -- Summary of the story: This book describes the family story of three generations of daughters in a family over the past 100 years. From grandmother, mother, to daughter, they live in overlapping lives, and each has a life trajectory with different themes in different times. Time flies, life is in a hurry, look back on the past and record life. The characters in the book are based on real people. The author has omitted their real names and enriched and imagined the storyline. Author: Xi Fu
部分读后感: 你的小说语言淳朴,接地气。我非常喜欢你的小说,看过后有很多感想。一代一代的 女性不容易,我们赶上了好时代,要争取自己的权力!~ …
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
English Creative Writing Theses
Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …
Defining Gastrocriticism As A Critical Paradigm On The Example Of Irish Literature And Food Writing: A Vade Mecum, Anke Klitzing
Defining Gastrocriticism As A Critical Paradigm On The Example Of Irish Literature And Food Writing: A Vade Mecum, Anke Klitzing
Doctoral
The aim of this study is to map out the gastrocritical approach, using Irish literature and writing to test its premises, and to provide a vade mecum for its practical application, particularly for interdisciplinary scholars. The gastrocritical approach furnishes a “culinary lens” for reading food and foodways in imaginative texts, informed by work in the field of food studies and gastronomy. The approach was broadly characterised by Tobin in 2002, but only sparsely used since. The past fifteen years have seen an increasing self-awareness and reflexivity in the field of literary food studies. As the field matures, there have been …
Memories Of Hope And Loss: “Kerhi Maa Ne Bhagat Singh Jameya”, Sheher Bano
Memories Of Hope And Loss: “Kerhi Maa Ne Bhagat Singh Jameya”, Sheher Bano
Masters Theses
My Masters thesis focuses on socialist Indian freedom fighter Bhagat Singh’s memory in contemporary Pakistani Punjab. I use the analytical category of memory to argue that Bhagat Singh is invoked by various groups and individuals, specifically those who identify as leftists or Marxists, in contemporary Pakistan to serve a range of political purposes. My analysis particularly sheds light on how activists and writers use the figure of Bhagat Singh to highlight the erasure of regional and lingual identities in Pakistan. Their remembrances underline a perceived historical injustice; the imposition of a national identity based on Urdu language and Sunni Muslim-ness, …
Inclement, Susan Wismer
Inclement, Susan Wismer
The Goose
"Inclement," by Susan Wismer, is from Hageography:
Hagios, a Greek word for holy.
Hag, an old woman. Hag, an overhang at the edge of a cliff
Rough notes. Foot notes. Choreographies of happenstance.
Tando-Huni Ug Uban Pang Balak | Treading Softly: Review Of Marjorie Evasco’S It Is Time To Come Home, Ester Tapia
Tando-Huni Ug Uban Pang Balak | Treading Softly: Review Of Marjorie Evasco’S It Is Time To Come Home, Ester Tapia
Akda: The Asian Journal of Literature, Culture, Performance
No abstract provided.
Ships In Houston, Nadia Villafuerte, Julie Ann Ward
Ships In Houston, Nadia Villafuerte, Julie Ann Ward
Undiscovered Americas
Ships in Houston by Nadia Villafuerte, translated by Julie Ann Ward, is a harrowing and heartrending collection of fifteen stories that bring to life characters who, though they exist independently from one another, inhabit the same world: Mexico’s southern border. Using acute attention to language, such as various dialects and slang, to create a nuanced and varied mood and setting, Villafuerte’s stories track exotic dancers, sex workers, truck drivers, drug dealers, immigration officials, and even a mayor’s daughter to create compelling fictions rooted in the harsh realities of borderlands that many choose to overlook. While the US’s southern border with …
One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix
Theses and Dissertations
"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.
A Message From The Editors, Rhiannon M. Cates, Vicki L. Reitenauer
A Message From The Editors, Rhiannon M. Cates, Vicki L. Reitenauer
Amplify: A Journal of Writing-as-Activism
An introduction from the founding co-editors to the second issue of Amplify: A Journal of Writing-as-Activism: Volume 2, Issue 1: So to Speak.
The Language Of English, Sasha Ortiz Bazan
The Language Of English, Sasha Ortiz Bazan
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
This Is Me, Kimberly Piñon
This Is Me, Kimberly Piñon
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Querida Niña, Georgina Cerda Salvarrey
Querida Niña, Georgina Cerda Salvarrey
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Being Part Of The Lgbtq+ Community, Genevive Cerda
Being Part Of The Lgbtq+ Community, Genevive Cerda
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Nopayele, Cayele Ameyalli Esteva
Nopayele, Cayele Ameyalli Esteva
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
El Primer Dia, Erick Esparza
El Primer Dia, Erick Esparza
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
From Roots To Wings, Anonymous Author
From Roots To Wings, Anonymous Author
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Here We Stand, Nelsy Ramirez Pacheco, Chelsea Rios Gomez
Here We Stand, Nelsy Ramirez Pacheco, Chelsea Rios Gomez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
I Am, Kyra Alway
I Am, Kyra Alway
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
I Am Who I Am, Claudia Lopez-Hernandez
I Am Who I Am, Claudia Lopez-Hernandez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
¡Viva México!, Diego Vega, Georgina C. Salvarrey
¡Viva México!, Diego Vega, Georgina C. Salvarrey
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Mis Motivadores, Eduardo A. Moreno-Ortiz
Mis Motivadores, Eduardo A. Moreno-Ortiz
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
No Effect On Me, Brenda Santos
No Effect On Me, Brenda Santos
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Our Need For Space, Alicia Lopez
Our Need For Space, Alicia Lopez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Por Mi, Destiny Rodriguez
Por Mi, Destiny Rodriguez
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Remembering My Home, Brittany Arzola
Remembering My Home, Brittany Arzola
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Rosa Parks, Isabella Garcia Figueroa
Rosa Parks, Isabella Garcia Figueroa
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Summer: An Accordion Poem, Kyra Alway, Paolo Bosques-Paulet
Summer: An Accordion Poem, Kyra Alway, Paolo Bosques-Paulet
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Fruit Salad, Nayali Abarca
Fruit Salad, Nayali Abarca
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.