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"More Or Less" Refugee?: Bengal Partition In Literature And Cinema, Sarbani Banerjee
"More Or Less" Refugee?: Bengal Partition In Literature And Cinema, Sarbani Banerjee
Electronic Thesis and Dissertation Repository
In this thesis, I problematize the dominance of East Bengali bhadralok immigrant’s memory in the context of literary-cultural discourses on the Partition of Bengal (1947). By studying post-Partition Bengali literature and cinema produced by upper-caste upper/middle-class East Bengali immigrant artists, such as Jyotirmoyee Devi’s novel The River Churning (Epar Ganga Opar Ganga 1967, Bengali) and Ritwik Ghatak’s film The Cloud-Capped Star (Meghe Dhaka Tara 1960, Bengali), I show how canonical artworks have propounded elitist truisms to the detriment of the non-bhadra refugees’ representations. To challenge these works, I compare them with perspectives available in Other refugee writers’ …
Politics, Ethics, And Aesthetic Play In Diasporic Iranian Visual Literature: Neshat, Satrapi, Bashi, Soltani, Mehraneh Ebrahimi-Eshratabadi
Politics, Ethics, And Aesthetic Play In Diasporic Iranian Visual Literature: Neshat, Satrapi, Bashi, Soltani, Mehraneh Ebrahimi-Eshratabadi
Electronic Thesis and Dissertation Repository
Does the study of aesthetics create response-ability or have tangible effects in the real world? Does the ambivalent form of word/images created by diaspora artists change our gaze toward the Other and the landscape of the possible? In the age of a global march against abstract terror which seems to be only reinforcing terrorism, the sign “Muslim-woman” along with the concept of democracy have become rallying cries for novel civilizing-missions. Leaving aside the failed efforts of littérature engagée, I resonate with Jacques Rancière that the study of aesthetics is intertwined with that of politics. Gayatri Spivak, too, asserts that …