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Full-Text Articles in Feminist, Gender, and Sexuality Studies

Women, Writing, And Storytelling In Medieval England And The Canterbury Tales, Sadie O'Conor Jan 2022

Women, Writing, And Storytelling In Medieval England And The Canterbury Tales, Sadie O'Conor

The Criterion

For a woman to succeed in an academic sphere, it is never enough for her to be clever-- she must be brilliant. “The Second Nun’s Tale” in Chaucer’s The Canterbury Tales explores the metaphorical brilliance (in sexual purity, intelligence, and faith) of St. Cecilia. The tale is also a mechanism for the Second Nun to advocate for her own vocation of “holy work,” for the sake of the learned religious women who preserved such writings. The themes of her tale are quite different from those espoused by the Wife of Bath, but the Wife also argues to have her voice …


Gawain, Women, And The Hunts: How The Body Influences Human-Animal Relationships In Sir Gawain And The Green Knight, Meghan Gavis Jan 2022

Gawain, Women, And The Hunts: How The Body Influences Human-Animal Relationships In Sir Gawain And The Green Knight, Meghan Gavis

The Criterion

In the narrative poem, Sir Gawain and the Green Knight, women and animals appear, on the surface, to function in a quintessential medieval sense — as physical objects to bolster Sir Gawain’s chivalric image. However, the dynamics between women, animals, and Gawain in this text challenge the human hierarchy presented by other medieval standards. By reading the ritualized hunts as devolving in honorable attention to the animal body and mapping their language onto the Lady’s temptations in Gawain’s bedroom, a feminine reclamation of the body appears. Though Gawain undercuts the Lady and Morgan by reducing them to physical presences, …


Matrons, Mothers, And Monsters: The Heroine In Beowulf, Grendel, And The Mere Wife, Grace Lucier May 2020

Matrons, Mothers, And Monsters: The Heroine In Beowulf, Grendel, And The Mere Wife, Grace Lucier

College Honors Program

This thesis examines the relationship between gender and heroism in the Beowulf tale and two of its modern retellings. It includes an exploration of the medieval gender roles of the original epic using Seamus Heaney and E. Talbot Donaldson’s translations. This thesis also addresses the ways in which some characters disturb gender binaries and social roles — especially in the case of Grendel’s mother. The second and third chapters focus on two retellings of the Beowulf text respectively: John Gardner’s Grendel , told from the perspective of the monster Grendel; and Maria Dahvana Headley’s The Mere Wife , which is …


Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo Jun 2006

Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

In Maryse Condé’s Windward Heights, the female characters bear the same first and last names, and act in the same way as, their counterparts in Emily Brontë’s Wuthering Heights. It would seem relevant, therefore, to ask about the dialectics of naming and identity set out in Windward Heights, and what this might mean for Caribbean identity. Is naming the only thing that gives Condé’s characters their identity? Or are they mirror-image projections of Brontë’s characters. Answering these questions, we may be able to determine how Condé’s work, as a new creation, establishes its own identity and whether its meaning is …