Feminist, Gender, and Sexuality Studies Commons^™

For [Redacted], Lalini Shanela Ranaraja

Vázquez-Valarezo Poetry Award

This poem was written following the attempts of a close friend and myself to create awareness for the ongoing genocide in Tigray, Ethiopia in particular, and in reaction to activism in the age of social media in general. The digital age and related phenomena, such as hashtag activism and cancel culture, has enabled certain social justice movements to gain rapid traction while other equally worthy movements struggle to find a foothold. Simultaneously, standards of accountability and ethics continue to decline among global news media, with non-Western countries such as Ethiopia and my own home country of Sri Lanka bearing the …

Encuentros Intergeneracionales: Continuidades Y Reformulaciones En Las Prácticas Militantes De Las Jóvenes Integrantes De Espacios De Acompañamiento De Aborto En La Amba / Intergenerational Encounters: Continuities And Reformulations In The Activist Practices Of The Young Members Of Abortion Accompaniment Spaces In The Amba, Hannah Robinson

Independent Study Project (ISP) Collection

Debido al acceso restrictivo de los abortos legales, en los últimos diez años los espacios de acompañamiento de personas que quieren interrumpir la gestación se han convertido en un sitio importante de la militancia feminista en Argentina. Estos espacios o colectivos brindan información sobre el uso del medicamento misoprostol para abortar, conectan las personas gestantes con profesionales de salud “amigables” que garantizan el acceso al Interrupción Legal del Embarazo, y proveen apoyo durante el proceso de interrupción. Al mismo tiempo, en los últimos cinco años una marea de jóvenes ha entrado masivamente a la militancia feminista.

A través de la …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.