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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 20 of 20
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Imagining Woman Otherwise, Or Nothing: Sexuation As Discourse In Lacanian Thought, Rahna Carusi
Imagining Woman Otherwise, Or Nothing: Sexuation As Discourse In Lacanian Thought, Rahna Carusi
Rahna M Carusi
My dissertation looks at the connections between Lacan’s four discourses and the sexuation graph in order to claim that sexuation is discursive and that, as Lacan presents it with the phallus as its quilting point, the sexuation graph is a narrative based on patriarchal hegemony, which is one of many possible narratives. I argue that through the hysteric’s discourse and a removal of the phallus as the Symbolic-Imaginary quilting point, we can begin to formulate new narratives of sexuated subjectivities. The textual objects I use for this project are literary and filmic works where women are the central topic or …
Belief And Performance, Morrison And Me, Koritha Mitchell
Belief And Performance, Morrison And Me, Koritha Mitchell
Koritha Mitchell
A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
Electronic Theses and Dissertations
This thesis discusses the effects of war on the southern plantation lifestyle depicted in Eudora Welty's Delta Wedding. This thesis focuses on the female characters who adapt to the absence of the husbands during wartime. Wars are the catalyst for societal change in the novel, and the women must adapt to the new social changes that are encroaching upon the plantation. The chapters explore each individual reaction of female characters in the novel. The female characters in Delta Wedding represent varying wars of reacting to shifting social norms brought about by war.
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Doctoral Dissertations
Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …
Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox
Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox
Graduate Theses and Dissertations
Jane Austen, Elizabeth Gaskell, Charlotte Brontë, and Henry James challenged patriarchal conventions and assumptions by redefining womanhood and marriage in their novels, particularly by breaking from the traditional marriage ending. While Pride and Prejudice, North and South, and Jane Eyre end in marriage, these novels depict a freely chosen companionate marriage based on equality; Villette replaces the typical marriage ending with complete independence; and Washington Square and The Portrait of a Lady both portray the decisive rejection of the marriage ideal for a life of renunciation. This thesis analyzes the ways in which these novels challenge nineteenth-century society, as well …
From Martyrs To Mothers To Chick In Choos: The Medieval Female Body And American Women's Popular Literature, Gina M. Sully
From Martyrs To Mothers To Chick In Choos: The Medieval Female Body And American Women's Popular Literature, Gina M. Sully
UNLV Theses, Dissertations, Professional Papers, and Capstones
Placing the generic conventions of medieval hagiography, Nina Baym's insights about nineteenth-century American sentimental fiction's overplot, and contemporary American women's popular literature into tension illuminates some important commonalities. First, biographers of the medieval virgin saints and authors of contemporary American women's popular literature deploy the same overplot that Baym identifies as characteristic of American women's nineteenth-century popular fiction. Second, in order to define feminine virtue and establish the virtue of their protagonists, nineteenth-century and post-millennial American women writers rework the contrastive tropes by which hagiographers establish their heroines' virtue. Third, struggles for ascendance in the domestic realm gesture toward its …
Woman At The Top: Rhetoric, Politics, And Feminism In The Texts And Life Of Annie Smith Peck, Hannah Scialdone-Kimberly
Woman At The Top: Rhetoric, Politics, And Feminism In The Texts And Life Of Annie Smith Peck, Hannah Scialdone-Kimberly
English Theses & Dissertations
The purpose of this focuses on the autobiographical rhetoric and public identity of Annie Smith Peck, a scholar, mountain climber and woman rhetor from the turn of the century. My qualitative case study of Peck examines how she worked as a woman rhetor to create a popular identity for herself in both mountain climbing and scholarship. I also focus on how Peck worked to identify herself with her audience; here, I use Burke's concept of "identification," as a way of adding to (rather than substituting for) traditional rhetoric. My project brings new findings in that I examine data on Peck …
Failed Heroes: Hypermasculinity In The Contemporary American Novel, Josef D. Benson
Failed Heroes: Hypermasculinity In The Contemporary American Novel, Josef D. Benson
USF Tampa Graduate Theses and Dissertations
My study highlights a link of U.S. American hypermasculinity running through Cormac McCarthy's two novels Blood Meridian (1985) and All the Pretty Horses (1992), Toni Morrison's Song of Solomon (1977), and James Baldwin's Another Country (1960). My literary interpretations of these texts suggest that U.S. American hypermasculine man originated in the American frontier and transformed into a definition of hegemonic masculinity embraced by many southern rural American men. These southern rural American men then concocted the myth of the black rapist in order to justify the mass murder of African American men after Reconstruction, inadvertently creating a figure more hypermasculine …
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
Koritha Mitchell
James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …
Mothers At Work: Reconstruction And Deconstruction Of Patriarchy In Gone With The Wind, Catherine Willa Staley
Mothers At Work: Reconstruction And Deconstruction Of Patriarchy In Gone With The Wind, Catherine Willa Staley
Theses, Dissertations and Capstones
In this thesis, I explore the performances of motherhood in Margaret Mitchell’s Gone with the Wind and how those performances conflict with culturally constructed expectations of that role. An analysis of Scarlett O’Hara and Melanie Wilkes, and how each woman compares to the South’s model for motherhood, reveals implications that extend beyond the novel’s Civil War setting to reveal the ongoing negotiation of modern readers still living within patriarchal conceptions of mothering. In Chapter 1, I outline the novel’s spectrum of motherhood, which is composed of characters who nurture and manage others. Each individual on that spectrum contributes to or …
Literacy, Discourse, And Identity: The Working-Class Appalachian Woman Academic, Sarah Marie Mcconnell
Literacy, Discourse, And Identity: The Working-Class Appalachian Woman Academic, Sarah Marie Mcconnell
Theses, Dissertations and Capstones
Drawing on conversations about the politics surrounding literacy acquisition, I take a deeper look into the effects of obtaining membership within an academic discourse community on Appalachian women from the working class. The tensions that develop between the two opposing discourses promotes a sense of loss as they create distance between these women and their home community, alter relationships, and disrupt identity. Working-class Appalachian women occupy the borderlands between discourses: one foot in their Appalachian community; the other in their academic community. They negotiate their fragmented identities in order to play the appropriate role within the appropriate context. Their status …
Silence And Self-Making: Black Lung Rhetoric And The Ken Hechler Letters, Jennifer De Pompei
Silence And Self-Making: Black Lung Rhetoric And The Ken Hechler Letters, Jennifer De Pompei
Theses, Dissertations and Capstones
This thesis combines history, rhetoric, and feminist identity studies to discuss the subject of black lung disease and the Appalachian coal miner. The first chapter examines the "evolution of mentalities" in historical and popular discourse surrounding the miner, which reflects James V. Catano's subversive form of the self-making identity in Ragged Dicks. The second chapter uses the feminist theory of silence as a form of control and power to understand the absence of black lung disease from the literature of coal. The final chapter is a case study of the correspondence between Congressional Representative Ken Hechler of West Virginia and …
"Thrown On Their Own Resources": Collaboration As Survival In Imitation Of Life, Kristi Branham
"Thrown On Their Own Resources": Collaboration As Survival In Imitation Of Life, Kristi Branham
Faculty Publications
The article presents an analysis of the film adaptation of "Imitation of Life," a 1933 novel by Fannie Hurst. It states that the repetition of the story across the first half of the twentieth century shows its resonance for U.S. audiences. It mentions that the woman question and the race question are brought together in the passing story in both the 1934 and 1959 film versions of the novel.
Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo
Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Mother Of Three Drowns Children And Other Stories, Laura L. Stubbins
Mother Of Three Drowns Children And Other Stories, Laura L. Stubbins
Open Access Theses & Dissertations
A collection of short stories depicting fictional characters facing what is absent from their lives.
Introduction To E. D. E. N. Southworth: Recovering A Nineteenth-Century Popular Novelist, Melissa J. Homestead, Pamela T. Washington
Introduction To E. D. E. N. Southworth: Recovering A Nineteenth-Century Popular Novelist, Melissa J. Homestead, Pamela T. Washington
Department of English: Faculty Publications
In early 1901, Willa Cather visited Prospect Cottage in the Georgetown neighborhood of Washington, D.C., the longtime home of the recently deceased novelist Emma Dorothy Eliza Nevirte (E. D. E. N.) Southworth. Born in Washington, D.C., in 1819 to southern parents (her father from Virginia, her mother from Maryland), Southworth lived in Washington with her family until she married Frederick Hamilton Southworth and moved with him to Wisconsin in 1841. When he deserted her and their two children,' she returned to Washington and taught school to support herself, running to writing to supplement her income from teaching. Within a few …
A Chronological Bibliography Of E. D. E. N. Southworth's Works Privileging Periodical Publication, Melissa J. Homestead, Vicki L. Martin
A Chronological Bibliography Of E. D. E. N. Southworth's Works Privileging Periodical Publication, Melissa J. Homestead, Vicki L. Martin
Department of English: Faculty Publications
Previous attempts at a comprehensive bibliography of E. D. E. N. Southworth's fiction have organized her works alphabetically by book title or chronologically by book publication date. Serialization information--if included at all--is subordinated to book entries or listed separately. These bibliographic conventions better suit authors who published fewer novels than Southworth did and/or did \ not routinely serialize their works. As a result, earlier bibliographies have caused confusion about the size and chronology of Southworth's body of work. Adding to the confusion, her book publisher T. B. Peterson arbitrarily broke many of her novels that appeared in serial form under …
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
Legacy Theses & Dissertations (2009 - 2024)
This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …
From Periodical To Book In Her Early Career: E. D. E. N. Southworth’S Letters To Abraham Hart, Melissa J. Homestead
From Periodical To Book In Her Early Career: E. D. E. N. Southworth’S Letters To Abraham Hart, Melissa J. Homestead
Department of English: Faculty Publications
E.D.E.N. Southworth's correspondence with Henry Peterson of the Saturday Evening Post and Robert Bonner of the New York Ledger, both of whom serialized her novels in their weekly story papers, is sometimes dramatic and emotional. In September 1849 Peterson chided Southworth for a “capital literary error” in an installment of her novel The Deserted Wife, in which the Reverend Withers uses his patriarchal authority to maneuver the young, unwilling Sophie Churchill into marriage. The incident would make readers “thro[w] down the tale in disgust,” he warns, and he omitted it from the serialization. In December 1854 he raised …
"To Bend Without Breaking": American Women's Authorship And The New Woman, 1900-1935, Amber Harris Leichner
"To Bend Without Breaking": American Women's Authorship And The New Woman, 1900-1935, Amber Harris Leichner
Department of English: Dissertations, Theses, and Student Research
This dissertation focuses on constructions of female authorship in selected prose narratives of four American women writers in the early twentieth century: Edith Wharton, Willa Cather, Zitkala-Ša, and Gertrude Schalk. Specifically, it examines portraits of women in pieces that appeared in national magazines from 1900-1935 that bracket these writers’ careers and that reflect anxieties about their professional authorial identities complicated by gender and, in the case of Native American Zitkala-Ša (Yankton Sioux) and African American Gertrude Schalk, race as well. In a period characterized by fierce debates over the role of women in a dawning modern age, these writers participated …