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Full-Text Articles in Feminist, Gender, and Sexuality Studies
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Seton Hall University Dissertations and Theses (ETDs)
Jeffrey Jerome Cohen begins his conclusory section of his influential essay “Monster Culture (Seven Theses)” stating, “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return” (52). Yet, Lee Edelman in No Future: Queer Theory and the Death Drive makes a statement which complicates the idea of the monster being “our child” when discussing that the normative (conservative) movement will “recurrently frame their political struggle…as a ‘fight for our children—for our daughters and our …
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
Queer Bodies And Queer Materials In Post-Wwii American Texts, William Joseph Whalen
Queer Bodies And Queer Materials In Post-Wwii American Texts, William Joseph Whalen
Legacy Theses & Dissertations (2009 - 2024)
Although the primary subject of this dissertation is contemporary American literature and popular culture--individual chapters are devoted to careful studies of Octavia Butler's short story "Bloodchild," Cormack McCarthy's gothic novel Child of God, Chuck Palahniuk's epistolary novel Pygmy, and the track "It's Good" by hip-hop artist Lil Wayne featuring Drake and Jadakiss--I develop a reading of these contemporary texts that places them within much older and richer intellectual, spiritual, psychological, and even biological traditions. My primary focus is the human body, both literal and figurative, as the site of dynamic exchanges, movements, blockages, and productive potentialities. I argue that at …
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig
Legacy Theses & Dissertations (2009 - 2024)
This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …