Open Access. Powered by Scholars. Published by Universities.®

Feminist, Gender, and Sexuality Studies Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 14 of 14

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas May 2021

Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas

Undergraduate Honors Theses

"Flipping the Castle" explores topics of domesticity in Gothic literature over the course of three centuries. The Gothic is a genre with roots in 18th century British literature, but more broadly, it can be described as horror that has a social function, and it is the birthplace of some of the most successful narratives in horror fiction. The aspects of the Gothic this research is concerned with is its themes of unchecked masculine aggression versus repressed femininity, its ability to adapt over time, and its preoccupation with setting, specifically the home, whether that be a medieval castle, a haunted house, …


“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks May 2021

“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks

Undergraduate Honors Theses

I situate Edith Wharton’s guiding idea of “garden-magic” at the center of my thesis because Wharton’s fiction shows how a garden space could naturalize otherwise inadmissible behaviors within upper-class society while helping a character tie such behavior to a greater possibility for escape. To this end, Wharton situates gardens as idealized touchstones within the built environment of New York City, spaces where characters believe they can reach self-actualization within a version of nature that is man-made. Actualization, in this sense, stems from a character’s imaginative escape that is enabled by a perception of the garden as a kind of natural …


Between Fact And Fiction: Writing By American Women In A Transnational Context, Hilary Jennifer Marcus Jan 2010

Between Fact And Fiction: Writing By American Women In A Transnational Context, Hilary Jennifer Marcus

Dissertations, Theses, and Masters Projects

Drawing on poststructuralist theories of gender, nation and modernity, this dissertation is an interdisciplinary exploration of American experimental women's writing and their linkages to and explorations of colonial and U.S. imperialist histories. "Between Fact and Fiction: Writing by American Women in a Transnational Context" considers experimental literary texts by women writing from diverse spaces across places and times as cultural texts that can provide important insights for understanding transnational politics of power and possibilities for disrupting power. The project examines a broad range of experimental literary texts by women including Gertrude Stein, Theresa Hak Kyung Cha, Alicia Gaspar de Alba, …


The First Thing Out The Window: Race, Radical Feminism, And Marge Piercy's "Woman On The Edge Of Time", Kimberly Lynn Mann Jan 2009

The First Thing Out The Window: Race, Radical Feminism, And Marge Piercy's "Woman On The Edge Of Time", Kimberly Lynn Mann

Dissertations, Theses, and Masters Projects

No abstract provided.


Celebrity And The National Body: Encounters With The Exotic In Late Nineteenth-Century America, Caroline Carpenter Nichols Jan 2008

Celebrity And The National Body: Encounters With The Exotic In Late Nineteenth-Century America, Caroline Carpenter Nichols

Dissertations, Theses, and Masters Projects

This project uses the remarkable careers of anthropologist Frank Hamilton Cushing, stunt reporter Nellie Bly, anti-lynching activist Ida B. Wells, and war correspondent Richard Harding Davis, as well as literary texts by Davis and Henry James, to frame a set of questions about the politics and implications of cultural crossover at the end of the nineteenth century. Through their work as participant observers of racial, ethnic and social Others, these reporters, reformers, and authors were gradually transformed into charismatic exotics. More than simply mediating between a mainstream (usually white, middle-class) audience and a more exotic people or place, these individuals …


Emily Dickinson's And Christina Rossetti's Portrayals Of Goblins And Their Threat To Feminine Integrity, Miki Jean Hazard Jan 2002

Emily Dickinson's And Christina Rossetti's Portrayals Of Goblins And Their Threat To Feminine Integrity, Miki Jean Hazard

Dissertations, Theses, and Masters Projects

No abstract provided.


Katherine Anne Porter's "Old Mortality" And Virginia Woolf: A Study In Feminism, Rebecca S. L. Waite Jan 1998

Katherine Anne Porter's "Old Mortality" And Virginia Woolf: A Study In Feminism, Rebecca S. L. Waite

Dissertations, Theses, and Masters Projects

No abstract provided.


Tar Baby And The Black Feminist Literary Tradition, Priti Chitnis Gress Jan 1997

Tar Baby And The Black Feminist Literary Tradition, Priti Chitnis Gress

Dissertations, Theses, and Masters Projects

No abstract provided.


Does "Little Women" Belittle Women?: Female Influence In Louisa May Alcott's "Little Women", Anjali Prasad Jan 1994

Does "Little Women" Belittle Women?: Female Influence In Louisa May Alcott's "Little Women", Anjali Prasad

Dissertations, Theses, and Masters Projects

No abstract provided.


Revisions And Evasions: Flannery O'Connor, Southern Literary Culture, And The Problem Of Female Authorship, Katherine Hemple Prown Jan 1993

Revisions And Evasions: Flannery O'Connor, Southern Literary Culture, And The Problem Of Female Authorship, Katherine Hemple Prown

Dissertations, Theses, and Masters Projects

A look at the early manuscripts of Flannery O'Connor's two novels, Wise Blood and The Violent Bear It Away, reveals that she worked hard to remove any traces of feminine sensibility or perspective from her work, hoping to distinguish it as superior to the efforts of other southern "penwomen." Both novels underwent a long and difficult transformation from stories centered upon the exploits of a diverse group of characters to novels whose sole focus was on a few male protagonists. Eager to develop her art within a framework acceptable to southern New Critical authorities like John Crowe Ransom, Allen Tate, …


Milk Enough For All: The African-American Woman's Quest For Identity And Authority In Toni Morrison's "Beloved", Amy Carol Ghaemmaghami Jan 1990

Milk Enough For All: The African-American Woman's Quest For Identity And Authority In Toni Morrison's "Beloved", Amy Carol Ghaemmaghami

Dissertations, Theses, and Masters Projects

No abstract provided.


An Isolating And Repressive Force: The Image Of The Southern Lady In The Work Of Lee Smith, Deborah Rae Wesley Jan 1990

An Isolating And Repressive Force: The Image Of The Southern Lady In The Work Of Lee Smith, Deborah Rae Wesley

Dissertations, Theses, and Masters Projects

No abstract provided.


Representation And Resistance: A Feminist Critique Of Jean Toomer's "Cane", Elaine Margaret Sisson Jan 1990

Representation And Resistance: A Feminist Critique Of Jean Toomer's "Cane", Elaine Margaret Sisson

Dissertations, Theses, and Masters Projects

No abstract provided.


Transitional Women In The Southern Works Of Constance Fenimore Woolson, Carol Ann Mcgowan Stanton Jan 1988

Transitional Women In The Southern Works Of Constance Fenimore Woolson, Carol Ann Mcgowan Stanton

Dissertations, Theses, and Masters Projects

No abstract provided.