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Articles 1 - 8 of 8
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
CLCWeb: Comparative Literature and Culture
Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Seton Hall University Dissertations and Theses (ETDs)
Jeffrey Jerome Cohen begins his conclusory section of his influential essay “Monster Culture (Seven Theses)” stating, “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return” (52). Yet, Lee Edelman in No Future: Queer Theory and the Death Drive makes a statement which complicates the idea of the monster being “our child” when discussing that the normative (conservative) movement will “recurrently frame their political struggle…as a ‘fight for our children—for our daughters and our …
The Impact Of Burroughs's Naked Lunch On Chester's The Exquisite Corpse, Jaap Van Der Bent
The Impact Of Burroughs's Naked Lunch On Chester's The Exquisite Corpse, Jaap Van Der Bent
CLCWeb: Comparative Literature and Culture
In his article "The Impact of Burroughs's Naked Lunch on Chester's The Exquisite Corpse" Jaap van der Bent posits that although Alfred Chester was critical of most Beat writing, in Tangier in the early 1960s he associated not only with Paul Bowles, but also with William S. Burroughs. Van der Bent argues that The Exquisite Corpse, the experimental novel Chester wrote in Tangier, shows the influence of the city's geography and especially the content and form of Burroughs's Naked Lunch.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon
New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon
Electronic Theses and Dissertations
The Appalachian studies tradition ascertains that Appalachian people politically, socially, and academically represent a heterogeneous minority group of our own. In post-capitalistic America, however, the Appalachian region serves as a hotspot for media misrepresentation and tourism that perpetuate through works of fiction, nonfiction, and scholarship both negative and positive stereotypes in the overall American consciousness. Twenty-first-century Appalachian authors, I contend, are reinventing Appalachia from its postmodern rubble through fictionalized reconceptualizations of our region’s history, shifts in our collective consciousness from anthropocentric to ecocentric, and subversions of the heteronormative discourse of our internal colony through explorations of the psychosexual. The contemporary …
‘My Freedom Is A Privilege Which Nothing Else Can Equal’: The Life And Writings Of Venture Smith And Phillis Wheatley, American Slaves, Donald Holmes Ii
‘My Freedom Is A Privilege Which Nothing Else Can Equal’: The Life And Writings Of Venture Smith And Phillis Wheatley, American Slaves, Donald Holmes Ii
Honors Theses
Slavery in the United States was an evolving institution that lasted nearly 400 years. To understand the colonial era of slavery within the United States, I examine the life and times of Venture Smith, as documented in his autobiography, A Narrative of the Life and Adventures of Venture, A Native of Africa (1798), and that of Phillis Wheatley using The Collected Works of Phillis Wheatley (1988). Both Smith and Wheatley were African-born slaves brought to America during the eighteenth century. In Smith’s narrative, he concludes by proclaiming “my freedom is a privilege which nothing else can equal” (31). This statement …
About Paternal Voices In Adoption Narratives, Fu-Jen Chen
About Paternal Voices In Adoption Narratives, Fu-Jen Chen
CLCWeb: Comparative Literature and Culture
In his article "About Paternal Voices in Adoption Narratives" Fu-jen Chen examines the emerging voices of fathers in adoption discourse. Breaking the reticence and challenging the stereotypical profile of birth fathers and the father overall, birth fathers in narratives resort to essentialism or victimhood, a cultural imagination in adoption discourse. Further, Chen examines adoption narratives by adoptive fathers arguing that their reluctance to call for a father-to-father relationship — either rivalry or alliance — indicates a sign of disavowal of both subjective splitness and the structural deadlock. Chen argues that in paternal adoption narratives writing does not emerge as a …
Girl Empowerment And Unspoken Discourses On Girl Sexuality In Stephanie Meyer's Twilight Saga, Caitlin Gulliford
Girl Empowerment And Unspoken Discourses On Girl Sexuality In Stephanie Meyer's Twilight Saga, Caitlin Gulliford
Honors College Theses
In this paper, I explore how Stephanie Meyer’s Twilight saga employs a form of girl sexual citizenship that recognizes girls as sexualized, but maintains unspoken structures of compulsory heterosexuality, regressive gender norms, and hyperconsumerism in order to police girls as a protection of patriarchy.