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Articles 1 - 21 of 21
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Romancing The University: Bipoc Scholars In Romance Novels In The 1980s And Now, Jayashree Kamble
Romancing The University: Bipoc Scholars In Romance Novels In The 1980s And Now, Jayashree Kamble
Publications and Research
English-language mass-market romance novels written by BIPOC (Black, Indigenous, and People of Color) writers and starring BIPOC protagonists are a small but important group. This article is a comparative analysis of how recent representations of diversity in this sub-set of the genre, specifically the character of the Black academic and the language of racial justice, compare with the first group of BIPOC novels that were published in 1984 (Sandra Kitt’s Adam and Eva and All Good Things as well as Barbara Stephens’s A Toast to Love). In Adrianna Herrera’s American Love Story (2019), Katrina Jackson’s Office Hours (2020), and …
Black Feminist Citational Praxis And Disciplinary Belonging, Bianca C. Williams
Black Feminist Citational Praxis And Disciplinary Belonging, Bianca C. Williams
Publications and Research
What does a Black feminist citational practice look and feel like? This contribution to the #CiteBlackWomen colloquy focuses on two arguments: First, that Black feminist citational praxis is one of the major interventions Black women scholars contribute to the academy; and second, that anthropology’s neglect and erasure of Black feminist anthropologists relates to disciplinary (un)belonging. I explore how citation and “disciplinary belonging” influence hiring practices, doctoral training, intellectual genealogies, and what is valued as anthropological knowledge.
Getting Back: The Chiffons’ Sonic Reclamation, Hilarie Ashton
Getting Back: The Chiffons’ Sonic Reclamation, Hilarie Ashton
Publications and Research
Sixties girl group the Chiffons are famous for their soaring 1964 hit “He’s So Fine,” a song in turn remembered almost as often for its plagiarism by George Harrison than in its own right. Much of the rest of their catalogue, including the tremendous “I Have a Boyfriend,” gets shunted into historical and critical gaps that paint rock music history as controlled by men. In this article, I examine the Chiffons in their own right, reframing a story of well-worn sonic theft to center on the group it obscured, through and alongside interpretative contradictions, assumptions, and historical lacunae. I show …
Sexuality And Borders In Right Wing Times: A Conversation, Alyosxa Tudor, Miriam Ticktin
Sexuality And Borders In Right Wing Times: A Conversation, Alyosxa Tudor, Miriam Ticktin
Publications and Research
We respond to prompts about the relationships between race, migration, and sexuality, as these intersecting differences have been forced into the same frame by the violent practices of right-wing regimes, and brought into relief by Covid19. Even as we have long known that sexual politics are a way to govern bodies, and to distribute uneven states of vulnerability, we are seeing new incarnations of government. What we aim to point out is how people who are seen as “different” are being attacked, maimed, dispossessed and murdered. But perhaps more importantly, we insist on the specific nature of right-wing times because …
Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton
Sonic Femininity: The Ronettes' Transgressive Gender Performance, Hilarie Ashton
Publications and Research
Iconic sixties girl group the Ronettes are frequently (and justly) celebrated for anchoring the Wall of Sound and inspiring the Beatles, but in their own right, they transgressed social, gendered expectations in revolutionary ways. Framed by a notion I call the sonic feminine, a recuperative theoretical space for the revolutionarily transgressive work of female and femme artists, I argue that the Ronettes, and lead singer Ronnie Spector in particular, enacted a kind of cultural rebellion: they crafted their images to made-up heights that tease the boundaries of drag across the spaces of the stage, the recording studio, the bathroom, and …
“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, Elizabeth Toohey
“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, Elizabeth Toohey
Publications and Research
Behold the Dreamers follows a Cameroonian couple who, as newcomers to America, harbor dreams of success unavailable to them back home. Undocumented immigration, the widening gulf between rich and poor, and the thinly veiled racism of an avowedly "post-racial" culture converge in this new generation of immigrants' painful encounter with the American dream. I consider the ways Mbue's novel shares themes with a "second wave" of post- 9/11 literature—first, in centering the disillusionment of a protagonist aspiring to the American dream; next, in its representation of New York as a space haunted by 9/11, but also of resistance to the …
Watching And Talking About Aids: Analog Tapes, Digital Cultures And Strategies For Connection, Alexandra Juhasz, Theodore Kerr
Watching And Talking About Aids: Analog Tapes, Digital Cultures And Strategies For Connection, Alexandra Juhasz, Theodore Kerr
Publications and Research
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer Theodore (ted) Kerr that explores the contemporary role of AIDS activist videos from the past.. Key to the text are ideas around history, technology, time, and community. Together they discuss and enact intergenerational dialogue, what to do with the imperfection of archives, and strategies for shared looking at the history of HIV through epochs. Their conversation is focused on a community created tape from, Bebashi — Transition to Hope, a Philadelphia non-profit.
Aids Normalization, Alexandra Juhasz, Theodore Kerr
Aids Normalization, Alexandra Juhasz, Theodore Kerr
Publications and Research
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New York’s Leslie-Lohman Museum of Art, which was on view from September 2019 to January 2020, and other contemporary AIDS culture.
The Making And Silencing Of “Axé-Ocracy” In Brazil: Black Women Writers’ Spiritual, Political And Literary Movement In São Paulo, Sarah S. Ohmer
The Making And Silencing Of “Axé-Ocracy” In Brazil: Black Women Writers’ Spiritual, Political And Literary Movement In São Paulo, Sarah S. Ohmer
Publications and Research
In this article, I will focus on two influential writers from the south of Brazil, Cristiane Sobral who currently lives in Brasília, from Rio de Janeiro, and Conceição Evaristo who currently lives in Rio de Janeiro state, from Minas Gerais. I got to know them in São Paulo in 2015 at a public event: the “Afroétnica Flink! Sampa Festival of Black Thought, Literature and Culture.” I will include references to some of their younger contemporaries such as Raquel Almeida, Jenyffer Nascimento, and Elizandra Souza, all of whom reside in São Paulo, in order to illustrate the Black Brazilian women writers’ …
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
Publications and Research
This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.
In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz
In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz
Publications and Research
No abstract provided.
Gubernamentalidad Espacial Y Agencia Criminal Negra En Cali Y São Paulo: Aproximaciones Para Una Antropología 'Fuera De La Ley.', Jaime Alves
Publications and Research
En los últimos años realicé visitas semanales a la cárcel, participado en reuniones mensuales de rendición de cuentas de la policía comunitária, “parchado” con los pandilleros en las “ollas”, entrevistado a las madres de los jóvenes negros asesinados por la policía o por otros jóvenes en las guerras sin fin entre pandillas. A lo largo de mi experiencia etnográfica, he tenido la “oportunidad” de escuchar varios relatos de horror, como por ejemplo las prácticas de “Los Matadores”, el escuadrón de la muerte compuesto por policías en la zona sur de São Paulo. Tal como lo he señalado en trabajo anterior, …
Jam On The Vine By Lashonda Barnett, Shawn(Ta) Smith-Cruz
Jam On The Vine By Lashonda Barnett, Shawn(Ta) Smith-Cruz
Publications and Research
Book review of Jam on the Vine by LaShonda Barnett from the perspective of a lesbian and lesbian of color audience of readers.
Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser
Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser
Publications and Research
This essay analyzes the controversy surrounding artist Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, to unpack the pleasures and dangers that subtend discussions of black female sexuality. What Walker announced as a tribute to the labor of brown and black bodies produced myriad conversations about pleasure, danger, and black female sexuality. Most art critics argued that the piece reclaimed black female agency; many visitors criticized the work (and the public response to it) as disrespectful and problematic. In the essay, I argue that both of these responses highlight the difficulty of talking about black female …
Introduction: The 1970s, Shelly J. Eversley, Michelle Habell-Pallán
Introduction: The 1970s, Shelly J. Eversley, Michelle Habell-Pallán
Publications and Research
Introduction to special issue, "The 1970s," of WSQ (Women's Studies Quarterly), edited by Shelly Eversley and Michelle Habell-Pallán.
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz
Publications and Research
This article is an edit of the opening remarks for the event held on May 22nd, 2014 at the Schomburg Center for Research in Black Culture as part of the In The Life Series supplying Black LGBT programming coordinated by Steven Fullwood. Outing Lorraine included panelists: Alexis DeVeaux, Joi Gresham, and Steven Fullwood and was moderated by Shawn(ta) Smith-Cruz. Opening remarks provide a biographical description of Lorraine Hansberry's life, prepare the audience for a conversation on the implications for "outing" a black iconic figure, details the purpose for use of primary and secondary sources when, and provides a bibliography for …
Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan
Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan
Publications and Research
Introduction to the special issue, "The Sexual Body," edited by Shelly Eversley and Jennifer L. Morgan.
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Publications and Research
"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …
Female Iconography In Invisible Man, Shelly J. Eversley
Female Iconography In Invisible Man, Shelly J. Eversley
Publications and Research
Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.
Tearing The Goat's Flesh: Homosexuality, Abjection, And The Production Of A Late Twentieth-Century Black Masculinity, Robert Reid-Pharr
Tearing The Goat's Flesh: Homosexuality, Abjection, And The Production Of A Late Twentieth-Century Black Masculinity, Robert Reid-Pharr
Publications and Research
A negative image of the homosexual must be promoted to preserve the heterosexual society, an idea that extends to the construction of African-American masculinity. African Americans represent the lack of boundaries in a chaotic culture. The resulting presumption that blacks are subhuman and irrational comes from the history of slavery and the presumed separateness of the race. Homosexuals also have been cut from their history by society and therefore must rediscover their roots to reject society's negative images.
Disseminating Heterotopia, Robert F. Reid-Pharr
Disseminating Heterotopia, Robert F. Reid-Pharr
Publications and Research
Focuses on the motion picture The Passion of Remembrance by Isaac Julien and Maureen Blackwood, and the book Tales of Neveryon by Samuel Delany. Highlights of the motion picture and the book; Author's argument that the tendency to ossify myths only leads to further confusion; Understanding of the mythic process.