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Full-Text Articles in European Languages and Societies

The Ecological Avant-Garde: Arkady Fiedler’S The River Of Singing Fish, Ida Day Oct 2020

The Ecological Avant-Garde: Arkady Fiedler’S The River Of Singing Fish, Ida Day

Modern Languages Faculty Research

Even among his extraordinary generation of Polish avant-garde literary and artistic figures, Arkady Fiedler (1894–1985) stands out as one of the most original and creative authors. His travel reportage from the experimental inter-war period of the 1920s and 1930 is an example of an avant-garde production—ahead of its time, eclectic, and exploring new ideas. As avantgarde is a very broad term referring to a variety of experimental literary and artistic techniques, I focus on Fiedler’s innovative and ethical approach to the natural world. This essay explores how the historical changes of the early twentieth century, affecting literature, theater, and art, …


Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci May 2020

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …


Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman Apr 2020

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.