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Articles 1 - 4 of 4
Full-Text Articles in European Languages and Societies
Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev
Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev
CLCWeb: Comparative Literature and Culture
In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …
Hesse's Steppenwolf As Modern Ethical Fiction, Michał Koza
Hesse's Steppenwolf As Modern Ethical Fiction, Michał Koza
CLCWeb: Comparative Literature and Culture
In his article "Hesse's Steppenwolf as Modern Ethical Fiction" Michał Koza discusses the significance of "ethical fiction" in modern literature. Such fiction, according to Kant, Kierkegaard, and Nietzsche, are not only milestones of ethical thinking, but more importantly offer a narrative for self-creation as an ethical subject. Harry Haller, the protagonist of Hermann Hesse's Steppenwolf, is a man living on the border of modern subjectivity embodying a cultural and existential crisis. Koza argues that "ethical reading" enables one to see the relation between philosophy and literature that not only enter in a dialogue with each other, but also share …
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
CLCWeb: Comparative Literature and Culture
In his article "A Theory of Genre Formation in the Twentieth Century" Michael Rodgers explores the relationship between Vladimir Nabokov's Invitation to a Beheading and magical realism in order to theorize about genre formation in the twentieth century. Rodgers argues not only that specific twentieth-century narrative forms are bound intrinsically with literary realism and socio-political conditions, but also that these factors can produce formal commonalities.
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
CLCWeb: Comparative Literature and Culture
In his article "Marriage in the Short Stories of Chekhov" Mark Richard Purves explores Anton Chekhov's often occurring depiction of marriage. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute it causes love …