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Full-Text Articles in European Languages and Societies
Intertextuality In Kurosawa's Film Adaptation Of Dostoevsky's The Idiot, Saera Yoon
Intertextuality In Kurosawa's Film Adaptation Of Dostoevsky's The Idiot, Saera Yoon
CLCWeb: Comparative Literature and Culture
In her article, "Intertextuality in Kurosawa's Film Adaptation of Dostoevsky's The Idiot" Saera Yoon analyzes the role intertextuality plays in the adjustments Akira Kurosawa made when he translated the classic novel by Dostoevsky onto screen. Kurosawa's 白痴 (Hakuchi), a film adaptation of Dostoevsky's The Idiot, has been the subject of mixed reviews. While some consider the film a successful adaptation that captures the spirit of the original, others criticize Hakuchi for its overly faithful rendition of the novel. What has been missing is an investigation of Kurosawa's filmic strategy. Yoon examines the transposition of a chronotope …
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
CLCWeb: Comparative Literature and Culture
In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
CLCWeb: Comparative Literature and Culture
In her article "The Egyptian Enlightenment and Mann, Freud, and Freund" Rebecca C. Dolgoy discusses various ways in which ancient Egypt is used in three works from the 1930s: Thomas Mann's Joseph and His Brothers, Sigmund Freud's Moses and Monotheism, and Karl Freund's film The Mummy. By showing the similarities and differences in how these works use Egypt, Dolgoy develops the concept that memory is the way in which the past is used. Dolgoy follows the structure of a cinematic shot casting: The Mummy as the long shot which both sets up the general Egyptomania characteristic of …