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Full-Text Articles in European Languages and Societies
1. Introduction, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
1. Introduction, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
Section XII: The Post-Enlightenment Period
Criticism of the methods and conclusions of the Enlightenment was initiated almost as soon as the movement itself had begun. It is for this reason that this chapter follows immediately after the one on the Enlightenment, rather than after the later chapters on nationalism, liberalism, industrialism, evolutionary biology, and the social sciences. These movements made their appearance during the latter part of the eighteenth century, but often served only to broaden and strengthen the earlier criticisms of the Enlightenment and the demands for a more adequate way of thinking than it offered. The movements of thought with which we are …
6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
Section XII: The Post-Enlightenment Period
To define romanticism is to attempt something which the romantics themselves insist cannot be done. But we can try to identify and then describe it, first pointing out what it is not. One stable element in romanticism has been its consistent rejection of its opposite, classicism. While no great piece of art has ever existed which did not contain elements of both romanticism and classicism, the partisans of these two different points of view have insisted that different emphases made it great. Where classicism emphasised analysis, objectivity harmony, wholeness, meaning, and discipline, romanticism stressed synthesis,subjectivity,disharmony, individuality,suggestiveness. and spontaneity. [excerpt …