European Languages and Societies Commons^™

Quintinie, Quarrels And Silence: The Arguments In And About George Sand’S Roman À Thèse, Kate Bonin

Modern Languages and Cultures Faculty Work

George Sand’s thesis novel, Mademoiselle La Quintinie (1863), proposed to solve what Sand termed the gravest problem confronting modern France: the undue influence of the Catholic Church and its supporters (the parti clérical) in Second Empire politics and social life. Quintinie’s story of young lovers separated by their opposing religious beliefs articulates Sand’s prises de position on issues ranging from Church doctrine, the Italian Risorgimento and the contested legacy of Jean-Jacques Rousseau. The novel engages with, and even incorporates, works by other authors including Louis Veuillot, Octave Feuillet and Rousseau himself, framing Sand’s own opinions within a multi-voiced …

Not Gaelic, But Free. Not Free, But Gaelic: The Role Of The Irish Language In Cultural And Political Nationalism In Ireland, Jeanne Buckley

Library Faculty Scholarship

The title of this paper paraphrases a quote by Patrick Pearse, an Irish poet, writer, nationalist and political activist who was killed by the British for his participation in the Easter 1916 uprising. These words seem fitting for a discussion on the connection between politics and the Irish language in 19^th and early 20^thcentury Ireland, which this paper addresses.

The Irish language and Ireland’s creation as a nation are intricately linked. After the Great Famine of the 19^th century, the rise of cultural nationalism within Ireland, fueled by its writers, convinced the Irish that they existed …

The Edifying Spectacle Of A Drowned Woman: Sympathy And Irony In Indiana, Kate Bonin

Modern Languages and Cultures Faculty Work

Indiana (1832): escapist romance or early feminist roman à these? Issues of stylistic choice and social conscience are intertwined in the question of how George Sand positioned—and re-positioned—her first independent entry into the changing field of the novel. Although the novel treats such serious subjects as a wife’s socially-sanctioned abuse by her husband, and the corruption of the failing years of the Bourbon Restoration, both Indiana’s narrator and Sand herself repeatedly denied that the work was meant to convey any ulterior message or offer moral utility to its reader. These denials should not be dismissed as mere pro forma modesty, …