European Languages and Societies Commons^™

Barnacle Geese And Sky Burials: Relativism In The Travels Of Sir John Mandeville, Akasha L. Khalsa

Conspectus Borealis

As a medieval travel narrative, The Travels of Sir John Mandeville was immensely popular for everyone from bookworms to world travelers in 14th and 15th century Europe. Given its popularity, and the period in which it was produced, one might expect the fictitious travelogue to display an incredible level of intolerance towards the various peoples and cultures it depicts. However, the Travels frequently surprises modern readers with its message of tolerance towards greater humanity, and its recognition of the universality of human experience as it is mirrored in the lives of people of different ethnic and cultural groups. In order …

Gower´S Queer Poetics In The Mirour De L'Omme, María Bullón-Fernández

Accessus

Gower's Queer Poetics in the Mirour de l'Omme

In the Mirour de l’Omme John Gower describes the allegorical Sins as both deceitful and “hermafrodrite” and later confesses to having engaged in queer practices in his earlier courtly poetry. Gower’s confession and his association of the Sins with intersexuality, I will argue, do not entail ultimately a rejection of queer poetics. In his Life of the Virgin Mary, the final part of the Mirour, Gower deploys a different kind of queer poetics, one that acknowledges the indeterminacies of language but still seeks to stabilize meaning, while intertwining male and female.

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

Foreword for Accessus volume 6, issue 1.

“A Lover’S Complaint”: Bad Shakespeare, Or Not Even That?, Madeline C. Duvall

Global Tides

In this essay, author Madeline Duvall argues in favor of attributing "A Lover's Complaint" to William Shakespeare. She observes the publication history and historical context of "A Lover's Complaint," as well as its metaphorical, prosodic, and thematic similarities to other works of Shakespeare, most prominently his sonnets and "The Rape of Lucrece." To make her argument, the author cites other statistical and historical studies of "A Lover's Complaint," and provides her own line-by-line analysis of the work in order to find matching words.

Gower As Data: Exploring The Application Of Machine Learning To Gower’S Middle English Corpus, Kara L. Mcshane, Alvin Grissom Ii

Accessus

Distant reading, a digital humanities method in wide use, involves processing and analyzing a large amount of text through computer programs. In treating texts as data, these methods can highlight trends in diction, themes, and linguistic patterns that individual readers may miss or critical traditions may obscure. Though several scholars have undertaken projects using topic models and text mining on Middle English texts, the nonstandard orthography of Middle English makes this process more challenging than for our counterparts in later literature.

This collaborative project uses Gower’s Confessio Amantis as a small, fixed corpus for analysis. We employ natural language processing …

Standing In The Dark: Sloth And Stability, Paralysis And Perseverance In Book Iv Of The Confessio Amantis, Andrea Schutz

Accessus

In Book IV of the Confessio, things happen in the dark – the dark of night, of dreams, of despair, of secrecy, of treachery, of death. The medieval sin of accidia sets the pace for this beautifully constructed book, whose tales link and cross, as in a dance. Dido, Phyllis, the bad, the forgetful, and the obsessive lovers swing like slowing pendulums back to their starting points, and stop still. On the whole, their dance with Amans is a slow and stately pavane of the dead and desperate. This is Gower’s darkest book, though not the most bloody: Sloth is …

Narcissus In Queer Time, Lacey M. Wolfer

Accessus

Queer temporality has been studied in relation to the Middle Ages as a means of questioning the prevailing historiography for other modes of connection to the past, such as embodied or affective. Conversely, the other branch of queer temporality has been primarily interested in how queer lifestyles today disrupt the heteronormative plan laid out by society. Joining these modes, Gower’s revision of Narcissus questions our notions of historiography through showing us an example of a queer, transgender character and his struggles with heteronormative expectations—demonstrating that the medieval is not so disconnected from the modern.

One Voice, Ancient And Resigned, Will Rogers

Accessus

While we know, or at least can imagine, what Gower looked like in his old age, it is hard to imagine or hear his voice. And yet, given what we know about his old age and visual impairments, his voice necessarily was important to his old age and continuing revisions of his texts. In this article, I attempt to reconstruct from some of his later poetry what that voice might have sounded like, at least in-text, and piece together how later authors heard that voice of old age.

Dark Money: Gower, Echo, And 'Blinde Avarice', Craig E. Bertolet

Accessus

Gower’s poetic works show a consistent concern with the darkness and deceit associated with Avarice, the sin mostly associated with commercial transactions. In the Confessio, he calls Avarice blind. This blindness seems to work both ways. Avarice blinds humans to their humanity because it causes them to cheat and steal from others. Avarice also blinds the victims of the greedy since the greedy resort to deception in order to gain what they want. In the Confessio, Genius tells the tale of Echo as an example of the practices that he calls usury but who works as an amalgam …

“Als Wel The Lord As The Schepherde, He Broghte Hem Alle In Good Accord”: Harmonious Materialism In The Confessio Amantis, Roger A. Ladd

Accessus

Using R. F. Yeager's analysis of the figure Arion as a starting point, this article argues that in the Confessio Amantis, John Gower shifts his impulse toward social correction from direct estates satire to a more subtle approach encoding his social critique in the love stories of the Confessio. Examples of this approach include a variety of tales from Book 5, and the Apollonius of Tyre story in Book 8. Details of the poem's ending and later works like "In Praise of Peace" indicate that Gower still retained an interest in direct critique of social problems.

Global Gower: The Archer Aiming At The World, Joyce Coleman

Accessus

This article explores the Vox Clamantis’ famous image of the archer shooting an arrow at a globe. There are sources and analogues for all the elements of the picture, but their combination and reinvention have produced a unique iconography. Gower’s multispectral conception of the globe combines ecological features with human estates with divine justice. Huntington Library HM 150 extends this innovation further, possibly even linking the miniature to the Wilton Diptych via the cross and pennon planted on the top of its globe. The complexity of the ideas embedded in the archer images suggests that Gower himself, and not …