Open Access. Powered by Scholars. Published by Universities.®
European Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Keyword
-
- Articles (5)
- Germany (2)
- Reviews (2)
- Serdar Somuncu (2)
- Turkish German cabaret (2)
-
- And Group Studies (1)
- Book review (1)
- Cultural Minority (1)
- David Robb (1)
- Ethnic (1)
- Ethnicity (1)
- Ethno-comedy (1)
- Gender (1)
- German Language and Literature (1)
- German citizenship (1)
- German hip-hop (1)
- German protest songs (1)
- German rap (1)
- Hybridity (1)
- Integration (1)
- Knobi-Bonbon (1)
- Monika Treut (1)
- Muhsin Omurcu (1)
- Neighbours and Strangers (1)
- Political song (1)
- Protest Song in East and West Germany since the 1960s (1)
- Transnational identity (1)
- Turkish German integration (1)
- Turkish comedy (1)
- Turkish immigration to Germany (1)
- File Type
Articles 1 - 7 of 7
Full-Text Articles in European Languages and Societies
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Kathrin M. Bower
As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Kathrin M. Bower
A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Kathrin M. Bower
Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of goods …
Neighbours And Strangers: Literary And Cultural Relations In Germany, Austria And Central Europe Since 1989 (Book Review), Kathrin Bower
Neighbours And Strangers: Literary And Cultural Relations In Germany, Austria And Central Europe Since 1989 (Book Review), Kathrin Bower
Kathrin M. Bower
In this collection of fifteen papers inspired by a 2002 conference held in Salford, England, the reader will find wide variations on the broadly stated theme of neighbors and strangers in the European context. Pulling together the diversity of essays is the main problem with the volume and one that the editors have done little to alleviate in their haphazard introduction. While they allude to the unification of Germany as the impetus and point of departure for the anthology, they offer no coherent argument for the selection and sequence of the essays included in the book. The reader is left …
Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower
Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower
Kathrin M. Bower
Founded by Şinasi Dikmen and Muhsin Omurcu in Ulm in 1985, Knobi-Bonbon is widely recognized as the first Turkish German cabaret in the Federal Republic. Dikmen and Omurcu focused on ethnic stereotypes, integration, and coexistence in their early programs, with an emphasis on the German misunderstanding of integration as cultural assimilation (Boran 202, 219). With a run of successful performances, Knobi-Bonbon established a momentum that has carried through to the present day, making Turkish German comedy a fixture on the German stage. Responding to the wave of nationalism and xenophobia that followed in the wake of unification, Knobi-Bonbon’s shows became …
Protest Song In East And West Germany Since The 1960s (Book Review), Kathrin M. Bower
Protest Song In East And West Germany Since The 1960s (Book Review), Kathrin M. Bower
Kathrin M. Bower
While the title of this nine-essay anthology focuses on the protest song from the 1960s and beyond, one of key elements of the book is an examination of the legacy of the Vormärz revolutionary songs and political cabaret of the Weimar Republic in the repertoire of West-German and East-German Liedermacher. The first two chapters by David Robb offer a differentiated analysis of how the Vormärz and early twentieth-century political song traditions were adopted and adapted in the FRG and the GDR and how the resulting high/low culture blend of the political song enhanced its appeal. The third chapter, also by …
Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower
Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower
Kathrin M. Bower
After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.