European Languages and Societies Commons^™

The Pariah And The Poet: Hannah Arendt’S Alternative Reading Of Goethe’S «Wilhelm Meisters Lehrjahre» As A Critique Of Enlightenment «Bildung», John Macready

John Macready

The Catholic Enlightenment. The Forgotten History Of A Global Movement, Ulrich Lehner

Ulrich L. Lehner

No abstract provided.

Storm Still: Klartext Und Poesie In Peter Handke's "Immer Noch Sturm", Scott Abbott

Scott Abbott

In a play about about the Slovenian minority in Austria, Peter Handke dialectically explores the possibilities of language in the contexts of war and peace. Although the play has been attacked as an act of linguistic nationalism, a careful reading of the play finds it one more document in the author's lifelong commitment to laying bare the coercive structures of language.

Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower

Kathrin M. Bower

As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …

Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower

Kathrin M. Bower

A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …

Neighbours And Strangers: Literary And Cultural Relations In Germany, Austria And Central Europe Since 1989 (Book Review), Kathrin Bower

Kathrin M. Bower

In this collection of fifteen papers inspired by a 2002 conference held in Salford, England, the reader will find wide variations on the broadly stated theme of neighbors and strangers in the European context. Pulling together the diversity of essays is the main problem with the volume and one that the editors have done little to alleviate in their haphazard introduction. While they allude to the unification of Germany as the impetus and point of departure for the anthology, they offer no coherent argument for the selection and sequence of the essays included in the book. The reader is left …

Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower

Kathrin M. Bower

Founded by Şinasi Dikmen and Muhsin Omurcu in Ulm in 1985, Knobi-Bonbon is widely recognized as the first Turkish German cabaret in the Federal Republic. Dikmen and Omurcu focused on ethnic stereotypes, integration, and coexistence in their early programs, with an emphasis on the German misunderstanding of integration as cultural assimilation (Boran 202, 219). With a run of successful performances, Knobi-Bonbon established a momentum that has carried through to the present day, making Turkish German comedy a fixture on the German stage. Responding to the wave of nationalism and xenophobia that followed in the wake of unification, Knobi-Bonbon’s shows became …

Protest Song In East And West Germany Since The 1960s (Book Review), Kathrin M. Bower

Kathrin M. Bower

While the title of this nine-essay anthology focuses on the protest song from the 1960s and beyond, one of key elements of the book is an examination of the legacy of the Vormärz revolutionary songs and political cabaret of the Weimar Republic in the repertoire of West-German and East-German Liedermacher. The first two chapters by David Robb offer a differentiated analysis of how the Vormärz and early twentieth-century political song traditions were adopted and adapted in the FRG and the GDR and how the resulting high/low culture blend of the political song enhanced its appeal. The third chapter, also by …

Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower

Kathrin M. Bower

After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.

Enlightenment And Catholicism In Europe. A Transnational History, Ulrich Lehner, Jeffrey Burson

Ulrich L. Lehner

No abstract provided.

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Number Marking In Western Armenian: A Non-Argument For Outwardly-Sensitive Phonologically Conditioned Allomorphy, Bert Vaux, Neil Myler, Karlos Arregi

Bert Vaux

The Western Armenian possessive plural data originally reported in Vaux (1998, 2003) have been asserted by Wolf 2011 to involve outwardly-sensitive phonologically conditioned allomorphy, a phenomenon widely argued to be unattested (Carstairs-McCarthy 1987; Paster 2006) and predicted to be impossible by the tenets of Distributed Morphology (Halle and Marantz 1993; Bobaljik 2000). We show that the full complexity of the Western Armenian system is better captured in an account that makes no reference to outwardly-sensitive phonological conditioning of this sort. The analysis is based on standard DM mechanisms of morpheme copying, displacement, and spellout (Harris and Halle 2005, Arregi and …

Obscurity In Medieval Texts, Lucie Doležalová, Jeff Rider, Alessandro Zironi

Jeff Rider

Modern readers of medieval texts often find them obscure. Some of this obscurity is accidental and inevitable due to the historical and cultural distance that separates modern readers from medieval authors, but medieval readers and authors also appear to have simply had a higher tolerance for textual obscurity than we do and even to have viewed obscurity as desirable and a virtue. They did not believe that obscurity could ever be eradicated and were not scared of the indescribable, indivisible, and ungraspable; they accepted reality as complex and ultimately unintelligible. Obscurity was not simply a riddle to be solved. It …

Little Germans On The Prairie: Colonial Thought And German Settlement Of The United States In Wilhelmine Youth Literature, Maureen Gallagher

Maureen O. Gallagher

In German youth literature set on the North American frontier, authors construct a claim to a German America. In these texts Germans are presented as most worthy citizens and the ideal colonizers: moral and tolerant, racially superior, disinterested, establishing a colonial claim to the Americas, in particular to the North American West.

Nobilitashungariae: List Of Historical Surnames Of The Hungarian Nobility, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

nobilitashungariae: List of Historical Surnames of the Hungarian Nobility 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek Purdue University Press) is compiled by Steven Tötösy de Zepetnek based on published historical genealogical sources. nobilitashungariae is archived in the Electronic Collection of Library and Archives Canada. A magyar történelmi nemesség családneveinek listája 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek & Purdue University Press) genealógiai munkák alapján van Tötösy de Zepetnek Steven által összeállítva. A könyv állománya az Electronic Collection of Library and Archives Canada digitális archívumjának.

Oskar Blumenthal And The Lessing Theater In Berlin, 1888-1904, William Grange

William Grange

OSKAR BLUMENTHAL (1852-1917) was Berlin’s most feared theatre critic in the early years of the new German Reich. He had the audacity of referring to Goethe as “an egghead” who had no understanding of what made plays effective for audiences, and in other critiques he ridiculed Kleist, Hebbel, and other “important” playwrights—prompting an adversary publicly to call him a “one-man lynch mob.” In the 1880s Blumenthal himself began writing plays, and he was so successful that many self-appointed cultural guardians accused him of damaging the German theatre beyond repair. His became the most frequently performed plays on any German stage …