European Languages and Societies Commons^™

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Molière’S Le Misanthrope, Ian B. Carlino

Honors Capstone Projects - All

My Capstone project is a French-to-English translation of about 1,100 lines of Molière’s Le Misanthrope. I chose that play because I was interested in exploring translation theory and the act of translating — not because I wanted to contribute some revolutionary new work to the numerous translations of it that already exist. I had never tried to translate, so I wanted the project to be an exercise in the work.

I began by selecting the parts of the play I thought to be most significant and helpful in giving a feel for what the play means. The plot was …

An Innocent Victim?: The Portrayal Of Anne Boleyn In French Drama, Art, And Literature Of The 1830s, Molly Driscoll

Honors Theses and Capstones

The 1830s in France saw a revival of artistic interest in and representations of Anne Boleyn, the second wife of King Henry VIII of England. This thesis traces Anne's influence on artistic, dramatic, and literary works of the 1830s and focuses on how these portrayals differed from one another as well as contemporary and modern opinions of Anne.

Obscurity In Medieval Texts, Lucie Doležalová, Jeff Rider, Alessandro Zironi

Jeff Rider

Modern readers of medieval texts often find them obscure. Some of this obscurity is accidental and inevitable due to the historical and cultural distance that separates modern readers from medieval authors, but medieval readers and authors also appear to have simply had a higher tolerance for textual obscurity than we do and even to have viewed obscurity as desirable and a virtue. They did not believe that obscurity could ever be eradicated and were not scared of the indescribable, indivisible, and ungraspable; they accepted reality as complex and ultimately unintelligible. Obscurity was not simply a riddle to be solved. It …