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Full-Text Articles in European Languages and Societies
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Languages and Cultures Publications
The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …
Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes
Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes
Honors Theses
1969 to 1988 was a period of social and political unrest in Italy known as the Years of Lead. Within this political foment, leftist directors produced films that dealt with topics that were of concern to the Left such as the condition of factory workers and police corruption. This thesis explores the role of cinema within the public sphere, whether it acted as an alternative space, and whether its role changed over time. Influenced by neo- Habermasian theory, I hypothesize that cinema served as an alternative public space in which directors critiqued the environment which drove students and workers to …
"Life Is Beautiful, Or Is It?" Asked Jakob The Liar, Ilona Klein
"Life Is Beautiful, Or Is It?" Asked Jakob The Liar, Ilona Klein
Faculty Publications
In 1999 the 71st Academy Awards ceremony awarded to the film The Last Days the prize for Best Documentary Feature. Underwritten by Steven Spielberg's Survivors of the Shoah Visual History Foundation, this documentary depicts in a compelling, historically objective fashion what the Nazi regime called the "Endlösung" ["Final Solution"]: the effort to annihilate all of European Jewry. In the film, five Hungarian survivors are interviews with honesty and compassion. Their answers record history as it unwound. Clearly, the intent of the interviews is to assure that historical facts are not falsified, nor taken for granted. Documentaries of this kind can …