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Full-Text Articles in European Languages and Societies

1. Introduction, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart Jan 1958

1. Introduction, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart

Section XII: The Post-Enlightenment Period

Criticism of the methods and conclusions of the Enlightenment was initiated almost as soon as the movement itself had begun. It is for this reason that this chapter follows immediately after the one on the Enlightenment, rather than after the later chapters on nationalism, liberalism, industrialism, evolutionary biology, and the social sciences. These movements made their appearance during the latter part of the eighteenth century, but often served only to broaden and strengthen the earlier criticisms of the Enlightenment and the demands for a more adequate way of thinking than it offered. The movements of thought with which we are …


6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart Jan 1958

6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart

Section XII: The Post-Enlightenment Period

To define romanticism is to attempt something which the romantics themselves insist cannot be done. But we can try to identify and then describe it, first pointing out what it is not. One stable element in romanticism has been its consistent rejection of its opposite, classicism. While no great piece of art has ever existed which did not contain elements of both romanticism and classicism, the partisans of these two different points of view have insisted that different emphases made it great. Where classicism emphasised analysis, objectivity harmony, wholeness, meaning, and discipline, romanticism stressed synthesis,subjectivity,disharmony, individuality,suggestiveness. and spontaneity. [excerpt …


3. Edmund Burke And Conservatism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart Jan 1958

3. Edmund Burke And Conservatism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart

Section XII: The Post-Enlightenment Period

Edmund Buxke (1729-1797) has often been compared to John Wesley, and there are several bases for such a comparison. Both infused a new life and meaning into the coin temporary formal structure of politics and religion, respectively. Both helped to bring the spoken word to a new level of influence. Both significantly changed the style of speaking and writing, emphasizing the particular and immediate problems rather than abstract and general principles. And both gave a strong moral emphasis to their thoughts and actions. Burke's style has long been considered one of the outstanding models for English prose and oratory. [ …


The Harvest Field: 1958 Edition, Howard L. Schug, J.W. Treat, Robert L. Johnston Jr. Jan 1958

The Harvest Field: 1958 Edition, Howard L. Schug, J.W. Treat, Robert L. Johnston Jr.

Stone-Campbell Books

No abstract provided.