European Languages and Societies Commons^™

Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

Reading On The Edge Of Oblivion: Virgil And Virule In Coetzee's Age Of Iron, Gary Shapiro

Philosophy Faculty Publications

Not long ago I taught a yearlong course on reading and writing for the last time. Last, because I have just retired from the university that sponsored the course and also because faculty, in their usual condition of mixed motives, aspirations, and agendas, have decided to discontinue it. I write then elegiacally, in memory of about twenty years of teaching a varying assemblage of so-called great books of literature, philosophy, religion, and even (occasionally) science, sprinkled with more-contemporary works (Toni Morrison, Orhan Pahmuk, Adrienne Rich, and others), drawn from all continents (we may have missed Australia) and written any time …

The Destructive Messiah : A Study Of Henrik Ibsen's Search For Truth As Portrayed By Rebel Heroes In Brand, An Enemy Of The People, And The Wild Duck, Susan Taylor Soyars

Master's Theses

Having read Henrik Ibsen's major plays, I became interested in his treatment of truth. Brand, Doctor Stockman, and Gregers Werle all represented varied degrees of the truth, each embodying Ibsen's own ideas. It is specifically Gregers Werle' s treatment of the truth that resulted in the conclusions found in this paper.

As Ibsen explored his personal convictions about the truth, a new type of rebel hero began to emerge, a destructive savior. Through this messiah, a Christ-like figure, Ibsen allows the truth to be exploited, which brings about complete destruction to communities,families, and friends.

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