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Articles 1 - 10 of 10
Full-Text Articles in European Languages and Societies
Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr
Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr
Theses and Dissertations
Stourhead Gardens, an emblematic eighteenth-century landscape, reflects Britain's socio-cultural and imperial changes. Owned by the Hoare family, it melds classical influences and Enlightenment ideals. Existing research deciphers its iconography, but this thesis broadens the perspective, placing Stourhead in its era's socio-cultural context. It's a narrative rich in cultural and historical significance, shedding light on identity, art, and culture, past and present.
Miraculous Monstrosity: Birth And Female Sexuality In The Illuminated Scivias And Cloisters Apocalypse, Jenna M. Mckellips
Miraculous Monstrosity: Birth And Female Sexuality In The Illuminated Scivias And Cloisters Apocalypse, Jenna M. Mckellips
Medieval Feminist Forum: A Journal of Gender and Sexuality
This paper compares the illuminations in two medieval apocalypses, the Cloisters Apocalypse and Hildegard von Bingen’s Scivias, to inspect their similar constructions of female sexuality, motherhood, and monstrosity. It first analyzes the monstrosity of female sexual organs found in Hildegard’s portrayal of the Church and the Mother of the Antichrist. The paper then goes on to consider the uncanny slippage between images of birth and death in the Cloisters’s depiction of John and the Woman of Revelation 12. Ultimately, the paper not only explores the monstrosity of female bodies in apocalyptic manuscripts, but also concludes that medieval women’s …
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Saturnine Constellations: Melancholy In Literary History And In The Works Of Baudelaire And Benjamin, Kevin Godbout
Saturnine Constellations: Melancholy In Literary History And In The Works Of Baudelaire And Benjamin, Kevin Godbout
Electronic Thesis and Dissertation Repository
Aristotle famously asked the question: why are extraordinary people so often melancholics? “Problem XXX,” written by Aristotle or one of his disciples, speculates that black bile, the humour once believed to cause melancholy, can promote a form of genius, a profound intellectual power. Walter Benjamin and Charles Baudelaire are two writers for whom this theory was true: though they suffered from gloominess and despondency, they also recognized that in the interior of sadness, and even madness, is a kernel of aesthetic, artistic, and philosophical truth. Melencolia illa heroica – whose theory was authoritatively formulated by Ficino, taking after Aristotle’s Problems …
The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart
The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …
Finding Aid To The Collection Of Vernon Lee Materials, Violet Paget, Colby College Special Collections
Finding Aid To The Collection Of Vernon Lee Materials, Violet Paget, Colby College Special Collections
Finding Aids
The Vernon Lee Collection at Colby College contains over 1000 letters, 136 manuscripts and articles, 117 photographs, and a small number of personal documents and artifacts, spanning the years 1866-1960. First and subsequent editions of Vernon Lee titles are described in the Colby Libraries web catalog. Materials arranged in seven series: Correspondence from Vernon Lee, Correspondence to Vernon Lee, Manuscripts, Published Writings, Photographs, Personal Items and Artifacts, and Clippings.
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …
The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11
The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11
The Fordham Undergraduate Research Journal
In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking at …
Mont-Saint-Michel And Chartres, Henry Adams, Ralph Adams Cram
Mont-Saint-Michel And Chartres, Henry Adams, Ralph Adams Cram
Electronic Texts in American Studies
FROM the moment when, through the courtesy of my friend Barrett Wendell, I came first to know Mr. Henry Adams's book, MontSaint- Michel and Chartres, I was profoundly convinced that this privately printed, jealously guarded volume should be withdrawn from its hiding-place amongst the bibliographical treasures of collectors and amateurs and given that wide publicity demanded alike by its intrinsic nature and the cause it could so admirably serve. To say that the book was a revelation is inadequately to express a fact; at once all the theology, philosophy, and mysticism, the politics, sociology, and economics, the romance, literature, and …