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Eudora Welty’S “Clytie”, The Mirror Stage, And The Grotesque, Samantha Miller
Eudora Welty’S “Clytie”, The Mirror Stage, And The Grotesque, Samantha Miller
Global Tides
At first glance, Eudora Welty’s short stories seem to exist in paradox with the writer’s own intentions. Welty is well known for co-opting the “plots, settings, characters, image patterns, and vocabulary” of Gothic literature, yet upon being asked if she was a Gothic writer, she responded vehemently: “They better not call me that!”. What is a reader then to make of Welty’s short story “Clytie” which is saturated with homages to the imagery of the Gothic— the display of psychological breakdown of an isolated family trapped in a crumbling, memory-haunted mansion, centering on a trapped, unmarried woman who slowly realizes …