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Articles 1 - 7 of 7
Full-Text Articles in English Language and Literature
Review Of Giving Birth In Eighteenth-Century England, By Sarah Fox, Chelsea Phillips
Review Of Giving Birth In Eighteenth-Century England, By Sarah Fox, Chelsea Phillips
ABO: Interactive Journal for Women in the Arts, 1640-1830
A Review of Giving Birth in Eighteenth-Century England, by Sarah Fox
Fierce Allegories: Teaching Anne Finch’S Fables In A Course On Satire, Sharon Smith
Fierce Allegories: Teaching Anne Finch’S Fables In A Course On Satire, Sharon Smith
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay outlines an approach to integrating Anne Finch’s work into an advanced undergraduate and/or graduate course on eighteenth-century satire, focusing particularly on her satirical verse fables. This approach encourages students to question common critical assumptions about women and satire, most particularly that women avoided satire due to its association with aggression and politics—assumptions Finch’s fables are well-suited to challenge. The essay focuses particularly on Finch’s verse fables "Upon an Impropable Undertaking," “The Eagle, the Sow, and the Cat,” and “The Owl Describing Her Young Ones.” In these poems, written in the aftermath of the Glorious Revolution, Finch employs violent …
Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett
Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett
Criterion: A Journal of Literary Criticism
Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …
“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future, Susan Carlile
“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future, Susan Carlile
ABO: Interactive Journal for Women in the Arts, 1640-1830
“‘Before I am Quite Forgot’: Women’s Critical Literary Biography and the Future” extends the conversation about literary “worth” in the twenty-first century as it still judges and ignores women authors of the past. Specifically, this essay explores the role of women’s literary historical biography as a primary marker of worth and as a means of shaping legacy. I also discuss my (perhaps more non-traditional) experience—both my personal circumstances and particular material conditions—writing the critical biography Charlotte Lennox: An Independent Mind. Without a substantial biography that shows the scope of Lennox’s mind, her significant corpus, and her interventions in literary history …
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Criticism
Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …
The Manifestation Of Intra Gender Oppression In Margaret Atwood’S The Handmaid’S Tale As Results From Intentional Patriarchal Power Structures, Aliyah Browning
The Manifestation Of Intra Gender Oppression In Margaret Atwood’S The Handmaid’S Tale As Results From Intentional Patriarchal Power Structures, Aliyah Browning
The Compass
Margaret Atwood’s The Handmaid’s Tale has long been studied for its cautionary warnings about sexist ideologies that exist between men and women; seldom has it been analyzed for instances of intra gender oppression. Intra gender oppression, which this thesis seeks to define and highlight through the novel’s context, offers artificial forms of power to those in oppressed classes, enough to attract women themselves to participate in the indoctrination and policing of their own sex. This essay will highlight the ways in which Atwood’s dystopia parallels sexist beliefs held by societies past and present.
Words On Screens: Women’S Names In Mobile Phone Contact Lists In Jordan, Ibrahim Darwish, Noora Abu Ain
Words On Screens: Women’S Names In Mobile Phone Contact Lists In Jordan, Ibrahim Darwish, Noora Abu Ain
Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب
This study investigates how male Jordanians store the names of their female relatives in mobile phones contact lists. The source of the data is a small-scale survey of 90 male Jordanians from three equal age cohorts: young (18-35), middle-aged (36-49) and old (+50). The participants’ responses were coded in an excel sheet in which each token was coded for either [r] (real name) or [p] (pseudonym). Using Rbrul for quantitative analysis, the data were analysed within the framework of variationist sociolinguistics. The results show that male Jordanian city dwellers store the real names of their female relatives in mobile phone …