Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Institution
- Publication
- Publication Type
Articles 1 - 6 of 6
Full-Text Articles in English Language and Literature
Gower And The Peasants’ Revolt, Ian Cornelius
Gower And The Peasants’ Revolt, Ian Cornelius
English: Faculty Publications and Other Works
This essay examines the moral and political thought of John Gower's poem on the English Rising of 1381, situating it within three contrastive fields: Gower’s moral project, his Virgilian intertext, and the practices of moral community employed by the rebels of 1381.
“Nede Hath No Law”: The State Of Exception In Gower And Langland, Conrad J. Van Dijk
“Nede Hath No Law”: The State Of Exception In Gower And Langland, Conrad J. Van Dijk
Accessus
This article discusses the use of the legal maxim necessity knows no law in the works of William Langland and John Gower. Whereas Langland’s usage has stirred up great controversy, Gower’s unique application of the canon law adage has received hardly any attention. On the surface, it is difficult to think of two authors less alike, and the way in which they relate the concept of necessity to different subjects (the poverty debate, fin amour) seems to support that feeling. Yet this article argues that reading Langland and Gower side by side is mutually illuminating. Specifically, this article reveals …
Foreword, Georgiana Donavin, Eve Salisbury
Foreword, Georgiana Donavin, Eve Salisbury
Accessus
Co-editors Georgiana Donavin and Eve Salisbury welcome readers to Accessus 2.2.
The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat
The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat
Graduate Theses and Dissertations
This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …
“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley
“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley
Accessus
Visual adaptation of a medieval text, as tempting as it is in film of any kind, is never an easy conversion, and all the more so if the original is as formally structured as John Gower’s Confessio Amantis. This essay examines the philosophy and difficulties of making a “medieval motion picture” (animated and narrated by the author) reflect the message of three of Gower’s tales (“The Travelers and the Angel,” “Canace and Machaire,” “Florent”) as well as the multimedia properties of the manuscripts that house them, their illuminations beckoning us into colorful virtual worlds. In referencing theories of adaptation, …
Preface, Georgiana Donavin, Eve Salisbury
Preface, Georgiana Donavin, Eve Salisbury
Accessus
Co-editors Georgiana Donavin and Eve Salisbury are delighted to feature the work of medievalist and machinimatographer Sarah L. Higley in this issue of Accessus. In a machinima production that debuted during the Third International Congress of the John Gower Society at the University of Rochester (30 June through 3 July, 2014), Higley refashions three tales from the Confessio Amantis for her film The Lover's Confession. In this issue of Accessus, we present the film and Higley's commentary on the intersections between her creative work with machinima and scholarly issues surrounding "The Tale of the Travelers and the …