Poetry Commons^™

Late Bloomer, Allyson M. Nobles

University of New Orleans Theses and Dissertations

No abstract provided.

Arc, Lisa Fountain

Electronic Theses and Dissertations

My collection, Arc, is about the struggle to become a human being and to find one’s own identity. Also, it is about how humans fall apart and come together on a regular basis – that we must find forgiveness – we must learn to love in even the most difficult circumstances – and we must, above all, continue to grow, and challenge our personal limits. Life does not contain us –it welcomes us – and that is part of the message I seek to convey through my writing. The imagery in my writing is grounded in my memories of my …

Afterparty, Patrick M. Werle

Creative Writing Programs

Afterparty is built on the question, “Can one overcome the past?”...I think. While the work flows on a loose timeline, I do not intend the manuscript to be a story. As the poems drift in and out of time periods; childhood, adolescence, fatherhood, I hope that this is also a collection that can be opened in the middle or paged through and still be successful. Of course, as the artist, I would love for people to take the journey beginning to end. And I also believe that poetry collections should be able to have a reader jump in at any …

Natural Philosophy, Michael J. Leach

The STEAM Journal

In this poem, I reflect on the close connection between life science and the arts from the perspective of a student undertaking liberal studies.

Literary Digest: Cannibal Poetry And Biology, Alicia Anzaldo, Claire Boeck, Sara Schupack

The STEAM Journal

A humanities professor and a biology professor at Wilbur Wright College collaborated to create a lesson on human digestion and poetry, enriching the humanities course theme on cannibalism. This article describes the lesson plan, examples of student work, and faculty reflections.

Notes On Contributors

Transference

No abstract provided.

To Fabullus (Invitation) By Catullus, Ranald A. Barnicot

Transference

Translated from Latin by Ranald Barnicot

In Jerusalem By Tamim Al-Barghouti, Houssem Ben Lazreg

Transference

Translated from Arabic by Houssem Ben Lazreg

Untitled Nonsense, She, And Contradictions By Yoshihara Sachiko, Carol Hayes, Rina Kikuchi

Transference

Translated by Carol Hayes and Rina Kikuchi from Japanese

Gina, Steamers On The Havel, I Made My Landing On An Island Where..., And Both Day And Evening Now Began To Seep By Georg Heym, William A. Ruleman Iii

Transference

Translated from German by William Ruleman

Poor Rutebeuf By Rutebeuf/ Leo Ferré, Roger Greenwald

Transference

Translated from French by Roger Greenwald

Stopping The Boat Near Xiling Bridge, Reciting Alone, And Leaving Jiufeng Mountain By Night By Tan Yuanchun, Andrew Gudgel

Transference

Translated by Andrew Gudgel

Standing And The Ninth Floor Again: The Military Hospital By Sghaier Ouled Ahmed, Hager Ben Driss

Transference

Translated from Arabic by Hager Ben Driss

Excerpts From And Here's The Song By Hélène Sanguinetti, Ann Cefola

Transference

Translated from French by Ann Cefola

Woe To Those... By Jakob Van Hoddis And Mystery And Crime And Elderly Couple By Yaak Karsunke, Gregory Divers

Transference

Translated from German by Gregory Divers

Four Love Poems From One Hundred Poems Of The Dharma Gate By Jakuzen, Stephen D. Miller, Patrick Donnelly

Transference

Translated from Japanese and Chinese by Stephen D. Miller and Patrick Donnelly

Four Poems From Sonnets Pour Hélène By Pierre De Ronsard, Ann Lauinger

Transference

Translated from French by Ann Lauinger.

Excerpts From The Clutter Of Words By Suzanne Alaywan, Nina Youkhanna

Transference

Translated from Arabic by Nina Youkhanna

Foreword, Molly Lynde-Recchia

Transference

No abstract provided.

Transference Vol. 5, Fall 2017

Transference

No abstract provided.

Reinventing Language, Vowel By Colorful Vowel, Clark Lunberry

Clark Lunberry

A Fable of a Fable, or “The Story of One of My Follies”: After he’d invented “the color of vowels,” regulated the “form and movement of each consonant,” the young poet then, applying his “instinctive rhythms” to the task, proudly proclaimed that he had alchemically created “a poetic language accessible, some day, to all the senses.” Notably, with his project in place, this poet, Arthur Rimbaud, tells us that he was then quick to “reserve translation rights.” This legal move on the poet’s part was perhaps thought initially necessary because, as he notes in 1873, the described synesthetic impact of …

Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry

Clark Lunberry

On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …

That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry

Clark Lunberry

The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …

Literary Language Revitalization: Nêhiyawêwin, Indigenous Poetics, And Indigenous Languages In Canada, Emily L. Kring

Electronic Thesis and Dissertation Repository

This dissertation reads the spaces of connection, overlap, and distinction between nêhiyaw (Cree) poetics and the concepts of revitalization, repatriation, and resurgence that have risen to prominence in Indigenous studies. Engaging revitalization, resurgence, and repatriation alongside the creative work of nêhiyaw and Métis writers (Louise Bernice Halfe, Neal McLeod, and Gregory Scofield), this dissertation explores how creative, literary applications of nêhiyawêwin (Cree language) model an approach to Indigenous language revitalization that is consonant with nêhiyaw understandings of embodiment, storytelling, memory, kinship, and home. Broadly, I argue that Halfe’s, McLeod’s, and Scofield’s creative practices encourage the ongoing use, valuing, and teaching …

Full Issue, The Anthology

The Anthology

This is the entirety of the 2017 Winthrop Anthology issue.

The Longest Night, Ted Olson

Ted Olson

No abstract provided.

Food Transitions: How Food Symbolizes Another Chapter, Josiah Peralta

Capstone Projects and Master's Theses

Through critical self-analysis of my life, I intend to answer the question, “How does food help us transition from one chapter of our life to another?” My purpose is to provide a personal viewpoint about related topics associated with food, like class, origin of food, religion or lack of, culture and tradition, obesity, food choice, and love. Through this viewpoint, I will demonstrate how food associations can encapsulate our past, memories, and identity in a way that moves us from the past to the present, and, hopefully, the future.

Capstone theme: Food, Ethics, and Politics

An Unstable Container, John Lapine

All NMU Master's Theses

An Unstable Container is a collection of short creative nonfiction essays and poetry, with influences from personal memoir, lyric essays, race and gender studies, and poetry. The work examines the intersections of race, gender, and sexuality, and the ways in which language, society, and the human body contribute to the construction of one's sense of self. Through the lenses of language, modern technology, medicine, and genetics, An Unstable Container explores blackness, queerness, masculine identity, growing up in rural Michigan, and the dangers and pleasures of corporeality. The collection also interrogates the social institutions of marriage and religion, gender roles, and …

La Figuration Des Passages Statifs Dans La Poésie De Trois Auteurs Burkinabè, Kandayinga Landry Guy Gabriel Yameogo

Présence Francophone: Revue internationale de langue et de littérature

For the survey of the poems of our corpus, we will be inspired by the literary stylistics. By means of the structurings axiologiques, it will be possible to us to seize the significance of the poems that resides in the passage of the attachment to the detachment, of the melioration to the pejoration (poetry of Somaïla Sawadogo), of the umbilical dependence («mature stomach») to the child’s biologic autonomy (poetry of Bernadette Dao), of servitude to the liberty, of State of exception in State of right (poetry of Babou Paulin Bamouni). In spite of their adherence to different times, a thematic …

Anna May Wong Stars In A Silent Film, Jasmine Cui

Gandy Dancer Archives

No abstract provided.