Translation Studies Commons^™

Steven Patrick Fernandez’S Transcreation Of Poetry And The Integrated Performing Arts Guild’S Sugatula/Crossing Poetry: An Autotheoretical Analysis, Onnah Pierre P. Talle

Akda: The Asian Journal of Literature, Culture, Performance

This is an analysis of Steven Patrick Fernandez’s transcreation of poetry through the Integrated Performing Arts Guild’s SugaTula. I use autotheory as I retell, examine, and reflect on my experiences on SugaTula and on Fernandez’s transcreation of poetry. From my autotheoretical analysis, I then situate Fernandez’s and IPAG’s SugaTula in the field of translation studies. The study reveals that Fernandez’s transcreation of poetry through SugaTula is a concept which is not only significant for theater practitioners but also for reading and literature teachers. Transcreation can also be used as a method to explore not only poetry but other various literary …

English Translations Of Two German All-Souls’-Day Pieces, Taro Omori

Undergraduate Student Research Internships Conference

Since the early eighteenth century the Don Juan legend was a popular subject in Austrian theatres on All Souls' Day (November 2); a peculiar custom, given that the main character is a libertine who indulges in excesses without any fear of divine retribution. One such work was Anton Cremeri's Der steinerne Gast (The Stone Guest) published in 1787; coincidentally Mozart's Don Giovanni premiered in the same year.

In the nineteenth century Don Juan gradually disappeared from the stage, but the custom of performing plays on All Souls' Day did not. Ernst Raupach's 1835 piece Der Müller und sein Kind (The …

Spring Awakening: A Midwest Children's Tragedy, Lena Nighswander

Honors Projects

Spring Awakening: A Midwest Children's Tragedy is a new play that takes up the issues of adaptation, translation, and temporality in regards to Frank Wedekind's Frühlingserwachen, a play infamous in its revelry in controversy and unflinching nature in the face of social issues many would prefer to ignore. Several modern adaptations of the original text exist, but none have utilized the 2020s as a setting nor have they used the fertile landscape of the American midwest as a background.

This play, set in Toledo, OH, leans into the Wedekindian tradition of cutting social criticism and controversy in its exploration of …

This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski

Independent Student Projects and Publications

This Effeminate Stranger: Dionysus’ Gender in Translation and Performance explores the possible interpretation of the character of Dionysus in Euripides’ Bacchae as genderqueer, specifically nonbinary. The project consists of a translation of the Bacchae from Ancient Greek into English which pays special attention to instances where Dionysus’ character is treated as somewhere between or outside of the traditional male-female gender binary, including placing emphasis on the god’s “effeminate” appearance and ability to influence other people to act across gendered lines. The groundbreaking translation refers to Dionysus with they/them pronouns rather than the traditional he/him and embraces this surprisingly well-evidenced reading …

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.

Translational Stages: Chinese Theatrical Modernism, Annelise Finegan Wasmoen

Arts & Sciences Electronic Theses and Dissertations

Translation in relation to theater is understudied and seldom theorized. This dissertation shows that connecting the two practices through historical examples promotes new ways of looking at what is conventionally called intercultural theater. By translation in relation to theater, I refer to the complex and related processes of the interlingual translation of scripts, the intersemiotic translation of script to stage, and the intrasemiotic translation between theatrical forms. The Chinese genre of theater known as huaju 话剧 in the decades studied here, the 1910s to 1930s, has been described as borrowed from the Western naturalist or realist stage, but I recast …

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …

Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze

Journal of Creative Writing Studies

Editor's Note
Mez Breeze authored her artist’s statement in virtual reality. You can view Mez’s artist’s statement even without a VR headset. Just click this link: https://bit.ly/2Kov372
You’ll need this password to access it: XR_PlayG

Abstract
Constructing creative writing in XR (aka Extended Reality: an umbrella term that covers Augmented Reality, Virtual Reality, Mixed Reality, and a fourth category called Synthetic Reality), and VR in particular, is an exciting and recent phenomenon in the Electronic Literature field. This proposed Statement of Creative Practice will examine the scope and reach of XR artforms while focusing in particular on the subset of …

Basho & Friends Literacy Game For Tablet, Joshua Korenblat

Journal of Creative Writing Studies

Basho & Friends is an in-progress prototype for an interactive children’s book. Here, children ages 8-13 collaborate with young Basho, the legendary founder of haiku poetry, to become poets themselves. This project exemplifies a “convivial tool,” defined by philosopher Ivan Illich as a platform designed to promote creative expression. Here, we imagine new possibilities for reading, sensemaking, and creative writing based on past forms and ideas. Through poetry, Basho promotes meaningful principles of literacy and sustainability today. Children can engage with Basho’s story in an historical context and practice haiku to see themselves as authors of their life stories.

Fanfiction As Performative Criticism: Harry Potter Racebending, Khaliah A. Petersen-Reed

Journal of Creative Writing Studies

Fanfiction anatomizes a text and in this textual nakedness fanfiction writers recognize gaps in their chosen source texts and seek to supplement these deficiencies through literary disruption. This essay focuses on the kind of fanfiction that critically disrupts through artistic cultural production—a practice that I am labeling performative criticism. I look at Racebending fanfiction that intervenes in the gaps of the Harry Potter series—specifically the gaps related to race. Using fanfiction produced by Harry Potter fans, I will show that by reading and writing fanfiction these writers are blurring demarcation between creative writing and literary criticism.

This Is (Not) A Game: The Adjunct Experience As Playable Fiction, Lee Skallerup Bessette

Journal of Creative Writing Studies

How can a never-ending running 8-bit game be a piece of protest art? In examining her own experience in a related netprov protesting the treatment of adjuncts, the artist explores issues of agency, exploitation, and the very nature of games and playing in her artist’s statement on her game, Adjunct Run: https://adjunctrun.readywriting.org/.

Machine Co-Authorship(S) Via Translative Creative Writing, Aaron Tucker

Journal of Creative Writing Studies

This paper argues that machine translation and a symbiotic ecosystem of authorship are central to the poetic works of Aaron Tucker and reveal larger ethical paths for machine-human relationships. In particular, the elements of chance alongside the intersemiotic translative acts that are the nature of human-computer relationships give space to a potential futurity that challenges a human-centric understanding of “reading” and “writing” and generates a type of literature that encourages a reader to better understand their own interactions within their daily digital environments.

The Many Authors Of The Several Houses Of Brian, Spencer, Liam, Victoria, Brayden, Vincent, And Alex: Authorship, Agency, And Appropriation, Zach Whalen

Journal of Creative Writing Studies

The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex is a computer-generated children’s book of 53,651 words and 350 unique illustrations arranged over 800 pages. The text is a cumulative poem in the style of the nursery rhyme “This is the House that Jack Built,” but with a house for each of the eponymous seven individuals, and with each of their houses containing many more types of things. These houses, these things, and these words were chosen by a Python script that I wrote, and the resulting novel--which can be viewed on my Github repository--is …

Atari, Creative Making & Zombie Computers: Robbo. Solucja., Piotr Marecki

Journal of Creative Writing Studies

In 1989, Janusz Pelc wrote the game Robbo on an 8-bit Atari, one of the first personal computers, which enjoyed a cult-like status in Poland before the fall of the Berlin Wall in 1989. Robbo, a small robot, collects screws and has to get through 56 planets. The game has achieved cult status, spawning hundreds of remixes and modifications. Beginning in the 1980s, fans (once mainly young boys, today adult men) played this game, collecting screws and running away from enemies such as bats, flying eyes, devils etc., while drinking beer, smoking cigarettes, eating crisps and telling jokes. One …

Digital Participatory Poetics And Civic Engagement In The Creative Writing Classroom, Liza D. Flum, Emily Oliver

Journal of Creative Writing Studies

This article explores the ways a team-taught course, “Public Poetry in a Digital World,” supported community-building through participatory action and digital creative making. Using digital texts responding to current events, this course fostered students’ civic imagination and invited them to make connections among their own lives, their communities and poetic civic media. This class facilitated critical community engagement through digital pedagogy and final projects in which students performed public scholarship. Ultimately, this course serves as a case study of how teaching born-digital texts with digital tools can expand the capacity of the creative writing classroom.

Toward Disruptive Creation In Digital Literature Instruction, Michael D. Clark

Journal of Creative Writing Studies

Given the multimodal and collaborative nature of digital literature along with the ways it often embodies the theories informing its artistic production, approaches to exploring both the creation and study of the form must abandon legacy pedagogies in favor of disruptive, student-driven course experiences. This work must further include explorations of digital culture, means of production, multimodal literacies, and connections with various definitions of literature ranging from print to auditory to visual forms. To accomplish this, instructors must move from more traditional hierarchical roles to those of facilitator and participant, committing consistently to returning decision-making work to the students.

Creative Writing Across Mediums And Modes: A Pedagogical Model, Saul B. Lemerond Phd

Journal of Creative Writing Studies

This is a creative practice (pedagogy) paper outlining the current formulation of my multimodal introduction to creative writing course. In this paper, I describe the course in detail, address the tensions, tradeoffs, and workarounds inherent in abandoning the traditional workshop model, describe instances of student engagement and success to illuminate this process, and endeavor to explain why high amounts of engagement and enthusiasm I get from my students concerning the content of my course is justified. My multimodal course is a generative course where my students are required to produce work in different creative modes on a near weekly basis. …

Introduction: What Is “Creative Making As Creative Writing”?, Kathi Berens

Journal of Creative Writing Studies

This special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests that creative writing methods have long been procedural and technologic.

There are many forms of creative making. This special issue features creative writers that

• Write code to output novels
• Redefine how we think of writing’s “container”
• Demonstrate aspects of the digital-first, multimodal writing classroom
• Modify or remix existing artworks

Berens supplies three …

Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista

Dissertations, Theses, and Capstone Projects

This dissertation looks at the creation and dissemination of alternative versions of English history through the means of dramatic fiction, and contextualizes them in the panorama of the intellectual debates of seventeenth-century Italy. Staging English Affairs in Early Modern Italy studies the ways in which the reinvention of Tudor and Stuart affairs in dramatic literature mirrored the ambitions, fears, and fantasies of a century in disquieting transformation. This research documents how news and information from England entered the Italian states, how they were perceived, and what their repurposing can reveal about the potentialities of intercultural exchange. Anglo-inspired drama became a …

Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds

Expressive Therapies Capstone Theses

This thesis explores the mind-body experience through an arts-based research approach to examine, and redefine the emotional capacity and usefulness of males through societal determinants that limits and hinders men from living their authentic selves. Through the lens of a metaphoric “Man Box” 112 men participated in a workshop recreating their personal narratives of socialization through, style of dress, coping mechanisms, belief systems and who they should be as men through society's standards. In the “Man Box,” male bonding, and emotional feelings are discouraged, while the objectification of women, material property and physical/emotional strength are encouraged. This research investigates the …

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.

Kiskeyanas Valientes En Este Espacio: Dominican Women Writers And The Spaces Of Contemporary American Literature, Isabel R. Espinal

Doctoral Dissertations

We can learn and gain a lot by putting Dominican women writers at the center of our attention. Yet they rarely have that place. This dissertation looks at Dominican women authors who have lived and written in the United States —Josefina Báez, Marianela Medrano, Yrene Santos, Aurora Arias, Nelly Rosario, Annecy Báez, Ana Maurine Lara, Raquel Cepeda— and how they fit within the spaces of contemporary American society, and more broadly within world flows of peoples and cultural productions. I draw on the theories and methodologies of Gloria Anzaldúa and her generation of feminists of color, as well as subsequent …

The Creation Of Traditional African Dance/Music Integrated Scores, Doris Green

Journal of Movement Arts Literacy Archive (2013-2019)

African dances are among the oldest dance traditions in existence; their structure is uniquely different because the movement therein is inseparable from the music that governs the movements. The music is associated with the spoken language of the people, which makes it virtually impossible for outsiders to comprehend the music of different African countries. In Africa there is no dance that is not accompanied by some form of music from the voice to orchestras of different percussive instruments. For centuries the dance/music of African people has been passed between generations by a mouth to ear process. Any society that is …

The Still Slamming Door: Relevance Of A Doll’S House In The 21st Century, Hope Morris

Student Scholarship – English

The infamous slamming door at the end of Henrik Ibsen’s A Doll’s House has been controversial from its beginning, leaving audiences with uncertainties about the meaning of family, morality, and personal responsibility. Written in 1879 when the “women’s issue” was still a relatively new subject, the play was met with criticism for its radical female protagonist and her decision to abandon her marriage. In a society where a woman’s primary role was one of domesticity and subservience to her husband, the ending of A Doll’s House was disquieting to audiences. However, Ibsen’s masterpiece remains just as controversial and important today. …

Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts and The Division of Languages and Literature of Bard College.

Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky

CLCWeb: Comparative Literature and Culture

In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to …

Women On Trial: Translating Femininity Through Journalism, William B. Ollayos

Masters Theses

The focus of this thesis is on cultural translation as a means of understanding the relationship between sociocultural identity with respect to bourgeois white female sexuality and interpretations by news journalists, writers and filmmakers. The thesis brings translation scholar Lawrence Venuti’s description of foreign and domestic texts (2008) into conversation with Catherine Cole’s analysis of journalists as active interpreters of newsworthy events (2010) to support my view of the media as a translator of sociocultural identity. The thesis outlines the construction of bourgeois white femininity within the U.S. imaginary and a more detailed account of its direct impact upon journalistic …

Theatre Translation As Historiography: Projections Of Greek Self-Identity Through English Translations During The European Crisis, Maria Mytilinaki

Dissertations, Theses, and Capstone Projects

This project focuses on theatre translation from Modern Greek into English through the examination of three plays translated in the early years of the ongoing Greek crisis (2012-2014). Currently Greek culture is received internationally through two important frames of reference: Hellenism, the admiration for the ancient Greek spirit, and the more recent negative associations with modern Greece provoked by the Eurozone crisis. The three translations I examine challenge these dual external projections onto Greek culture by promoting a more nuanced image that recontextualizes the Greek past. In their capacity to travel between cultures, often in bilingual iterations, these theatrical translations …

Una Traducción Dúctil: El Beso De La Mujer Araña Y Los Códigos Artificiales, Sam Mccracken

Georgia State Undergraduate Research Conference

No abstract provided.