Ancient History, Greek and Roman through Late Antiquity Commons^™

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

A Typological And Chemical Analysis Of Roman Oil Lamps From Poggio Del Molino, Brandon Tejo

Dissertations, Theses, and Capstone Projects

Terracotta lamps, known to the Romans as lucernae, are small, handheld, often decorated objects which provided ancient people light. To modern researchers, they serve as tools for dating stratigraphy and iconographic studies. Beyond their immediately apparent aesthetic and symbolic value, the chemical compositions of the clay of these lamps reflect their origin. This study complements archaeological typologies with chemometric analyses to describe 16 Late Republican and Imperial Roman lamps recovered from the villa at Poggio del Molino (PdM), Tuscany. These finds were recovered from the 2021 and 2022 PdM excavations. The combined approach of typology with X-ray Diffraction (XRD) …

The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov

Undergraduate Honors Theses

Examining archeological and epigraphic evidence in its historical context, in this thesis I explore the Cult of the Nymphs venerated across ancient Greek poleis. I analyze the nymph’s profound cultural and historical impact that is often overlooked in the study of ancient Greece. Nymphs were female deities thought to embody ecological sites, such as fountains and springs, and became fundamental to polis identity. Their locations were often central to city plans, and their faces, depicted on coinage, became representative of the city itself. In the community, nymphs were integral to rituals for major life events, most often in the lives …

Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning

All Theses

This project thesis is centered around coping with early onset childhood trauma through an autoethnography of narrative and art creation. The goal of this project is to understand more deeply how the art making process synthesizes or disrupts trauma sense-making through the introspective lens of the artist as scholar. The project consists of an interactive art exhibit and this written scholarly analysis of the creation and display of this exhibit. This includes an introduction to my life as a trauma survivor and Greek-American woman, informed by communication scholarship and other relevant fields regarding narrative theory, Greek history, religious and trauma …

Strange Creature, Dagny Walton

Graduate Student Theses, Dissertations, & Professional Papers

Strange Creature is an exploration and renovation of the myth of the American West. I extract elements from the known and recognizable myth of the West and create my own rendition, focusing in particular on themes of transformation and violence. Here in this black mirror world, animals speak out loud, cowboys face down a wildland with eyes, and two suns light up the lonely sky. There is no continuous narrative thread, but each piece is a vignette that takes place in a single shared world. This world is at once familiar and completely alien. I intend to surprise the viewer …

Isocrates's Place In Postmodern Advertising, Christopher Barkley

Electronic Theses and Dissertations

This study in communication and rhetoric seeks to ascertain constructive applications for distinct advertising practices by examining Isocrates’s work and place in postmodern advertising. The focus uses 5 principles known to Isocrates which are: 1) commonwealths of households, 2) integration of reputation, elegance, substance and style, 3) education and public discourse, 4) phronesis and praxis, and 5) truth and verisimilitude. These 5 principles can form a constructive and practical advertising approach. This study is important. It examines Isocrates through the lens of advertising and extends the research done about him by leading Isocrates scholars who have looked primarily at his …

New Myths And My Religion, Pallas Lane Umbra

Belmont University Research Symposium (BURS)

New Myths and My Religion
Pallas Lane Umbra
Faculty Advisor: Katie Mitchell

As every civilization has had its myth and legends, this creative thesis project introduces a new mythology. This world is born of our own, shaped by the experience of growing up queer in the Appalachian South. There is a specific exploration of love, rage, and spirituality. Inspired by Greco-Roman mythology while also reflecting on personal experience, this body of work shares a visual, symbolic language that is interpretable; one myth can tell many stories. Along with this new iconography, the work strips the viewer of ease and comfort …

Fine Roman Dining At Affordable Pompeian Prices: A New Evaluation Of The Non-Domestic Gardens Of Pompeii, Claire Campbell

World Languages, Literatures and Cultures Undergraduate Honors Theses

Previous scholarship has designated Roman gardens into otium or negotium designations; however, this research on Roman gardens suggests that these concepts often exist in the spaces simultaneously. To address this issue, I compiled catalogs of garden spaces identified at Regio I and Regio VI of Pompeii. This methodology cuts across traditional public and private or productive and aesthetic designations, which will allow me to draw connections between the gardens found in different types of settings. This new catalog methodology of Roman gardens presented in this thesis allows for an integrative analysis of garden spaces, which reveals that these commercial gardens …

The Fabric Of Gifts: Culture And Politics Of Giving And Exchange In Archaic Greece, Beate Wagner-Hasel

Zea E-Books Collection

When the Greek leader Agamemnon took for himself the woman awarded to Achilles as his spoils of battle, the warrior’s resulting anger and outrage nearly cost his side the war. Beyond the woman herself was what she symbolised — a matter of esteem rather than material value. In Archaic Greece the practices of gift giving existed alongside an economy of market relations. The value of gifts and the meanings of exchange in ancient societies are fundamental to the debates of 19th-century economists, to Marcel Mauss’s famous Essai sur le don (1923-4), and to the definition of experiential value by modern …

Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817, Regina Bellian

The Downtown Review

This paper analyzes the painting Cupid and Psyche 1817 by Jacques-Louis David. The visual details and appearance of the painting is discussed in form and design and further elaborated with symbolism and interpretation of the artist's work.

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Zea E-Books Collection

The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods.

This volume contains 35 chapters, divided into five sections: • Textile terminologies across the ancient Near East and the …

Armenian Textile Terminology, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The part of the Armenian vocabulary that is inherited from the Indo-European protolanguage is notoriously limited, variously estimated to include between 450 and 700 stems. Otherwise, the lexicon is dominated by etymologically obscure elements and an impressive amount of Middle Iranian loanwords, reflecting the centuries of Iranian political dominance. In particular the Parthian loans, introduced during the Arsacid dynasty (247 BC-224 AD), have left their mark on the Classical Armenian language, attested from the early 5th century, to a similar extent as Old French on English or Low German on Danish, so that linguists until the late 19th century still …

List Of Contributors

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The 42 contributors include Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch, Elena Soriga, Louise Quillien, Luigi Malatacca, Nahum Ben-Yehuda, Christina Katsikadeli, Orit Shamir, Agnes Korn, Georg Warning, Birgit Anette Olsen, Stella Spantidaki, Peder Flemestad, Peter Herz, Ines Bogensperger, Herbert Graßl, Mary Harlow, Berit Hildebrandt, Magdalena Öhrman, Roland Schuhmann, Kerstin Droß-Krüpe, John Peter Wild, Maria Mossakowska-Gaubert, Julia Galliker, Anne Regourd, Fiona J. L. Handley, Götz König, Miguel Ángel Andrés-Toledo, Stefan Niederreiter, Oswald Panagl, Giovanni Fanfani, Le Wang, Feng Zhao, Mari Omura, Naoko Kizawa, Maciej Szymaszek, Francesco Meo, Felicitas Maeder, Kalliope Sarri, Susanne Lervad, and Tove Engelhardt Mathiassen.

Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …

“Der Faden Soll Nicht Reißen, Während Ich Meine Dichtung Webe…”: Zum Metaphorischen Gebrauch Von Textilterminologie Im Rigveda, Stefan Niederreiter,

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Wenn man sich als historisch-vergleichender Sprachwissenschaftler mit einem speziellen realienkundlichen Thema einer ausgewählten Epoche einer altindogermanischen Sprache beschäftigt, so ist man aus Erfahrung darauf gefasst, dass Informationen zumeist lückenhaft vorhanden sind und die Erschließung der Texte mit den unterschiedlichsten philologischen und linguistischen Schwierigkeiten verbunden sein kann. Trägt man das Erkenntnisinteresse textilterminologischer Fragestellungen an den ältesten indischen Text, den Rigveda (RV), heran, liegt es schon an der Textsorte der für rituelle Zwecke bestimmten sacerdotalen Dichtung, dass Informationen zur handwerklichen Praxis des Webens allenfalls verstreut, beiläufig und dann vor allem in poetischen Metaphern den vedischen Hymnen zu entnehmen sind. Aber gerade der …

Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Thematik des folgenden Beitrags ist gleichsam doppelt gepolt. Sie ist zunächst im terminologischen Feld der Prozesse, Instrumente und Produkte der Sachbereiche von Weben und Flechten verankert. Zugleich ist sie auch in den metaphorischen Verwendungsweisen der zugehörigen Sinnbezirke bzw. Wortfelder, also im weitgespannten Horizont der Herstellung von Stoffen, Tüchern und Gewändern verortet. „Vom Textil zum Text“ ließe sich die Intention des Artikels bündig zusammenfassen: Dabei verläuft also die Richtung der Bedeutungsentwicklung des Produkts in ihrer Tendenz gegen den Vorgang der zugehörigen morphologischen Ableitung. Ich möchte mich meinem Vorhaben zunächst mit einem Blick auf die bekannten beiden konversen Zugänge zur Semantik …

Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In an analysis of the household-management (οἰκο- νομία) in the first book of the Politics, Aristotle discusses the nature and use of tools (ὄργανα), both inanimate (τὰ ἄψυχα) and animate (τὰ ἔμψυχα). While such a distinction is functional, in Aristotle’s argument, to illustrate the priority of the latter group (represented by the assistant, ὁ ὑπηρετής, and the slave, ὁ δοῦλος) over the first, what interests us here lies mainly within the realm of inanimate tools. As commentators to the passage have not failed to notice, a first literary frame of reference for Aristotle’s exemplum fictum is to be found …

Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The study of written sources of the Classical period (5th and 4th centuries BC) reveals the existence of a very rich vocabulary related to textile production. There are terms referring to materials, tools, manufacture and decoration techniques, colours, people and places related to textile manufacture. Many terms are quite clearly defined, while others present major difficulties in their interpretation. Usually these concern terms for tools, such as κερκίς (pin beater or shuttle) and ἡλακάτη (distaff or spindle) or terms describing fabrics with some kind of decoration. Among the decorative terms, some refer to specific decorative techniques, such as κατάστικτος (embroidered) …

Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …

Beschaffung Und Handel Mit Farbstoffen, Peter Herz

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Farbstoffe sind alles andere als ein leicht zu behandelndes Thema, denn von wenigen Ausnahmen abgesehen, die die mineralischen Farben betreffen, geht die archäologische Nachweisbarkeit in der Regel fast gegen Null, was gerade für die Textilfarben sehr bedauerlich ist. Die frühesten Nachweise auf einen internationalen Handel mit Farbstoffen stammen aus dem Ägypten der 4. Dynastie. In vielen Gräbern dieser Epoche finden wir Wandgemälde aus einem ganz speziellen Blau, dem sogenannten Ägyptischen Blau. Einer der Grundstoffe war Lapislazuli oder Blaustein, ein Mineral, das noch heute in den östlichen Teilen von Afghanistan abgebaut wird. Von dort aus wurde das Rohprodukt mit Eselskarawanen bis …

Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …

Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …

Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

What did sheep shears in the 1st millennium BC Babylonia look like? We are not sure. Many cuneiform texts were written about textile work in Babylonia, but it was largely about administration or accounting. There were hardly any descriptions of the actual tools and processes. In this article we go back over the words, the iconography, and the archaeology in an attempt to find these missing descriptions. This study is limited to Babylonia during the 1st millennium BC, and this period correspond to a state of the Akkadian language, called Neo-Babylonian. At these times, major evolution took place. Mesopotamia entered …

Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Während die in Altavestisch komponierten Lieder des Avesta (die Gāϑās und das Yasna Haptaŋhāiti) einen rituellen Dichtungsstil pflegen, der sich in eigentümlicher Weise gegen die Dinge der Welt weitgehend verschließt, d.h. Wörter, die auf Materiales – auf in Raum und Zeit Identifizierbares – sich beziehen, vermeidet, stellen die in Jungavestisch abgefaßten metrischen wie prosaischen Texte des Avesta eine weitaus ergiebigere Quelle zur Rekonstruktion der materiellen avestischen Kultur dar. Richten dabei diejenigen Texte, welche die tägliche bzw. zu bestimmten Anlässen zu feiernde, um die altavestischen Texte herum komponierte Priesterzeremonie bilden (Yasna bzw. Yasna mit Vīsparad), ihre Aufmerksamkeit auf …

Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Jewish law forbids Sha’atnez – wearing mixed wool and linen together was forbidden for the Jewish population. The article will first explain the meaning and acronym of sha’atnez, and then review the sha’atnez textiles which were found in the Land of Israel. The possible reasons for the prohibition of sha’atnez will be presented and remarks on observance and enforcement of the law in Orthodox Jewish communities today will be made according to ethnographic investigation.²

The concept of sha’atnez: Jewish law forbids sha’atnez – wearing garments of mixed wool and linen. This is mentioned twice in the Hebrew Bible: …

A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Arabic Leinwand (A.L.) collection is held by the Department of Papyrus (Papyrussammlung) in the Austrian National Library of Vienna.1 The collection was acquired in Egypt in the late 19th century by an antiquity trader in Cairo commissioned by Joseph von Karabacek, the famous papyrologist, and contains 68 items.2 Almost all of these have an association with writing, hence the reason why they were collected for the Library, and only eight objects have no association at all. The language for the most part is Arabic with a few texts in Greek, or with Greek with Arabic. The collection of pieces …

The Textile Term Gammadia, Maciej Szymaszek

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper aims to investigate the origin of the term gammadia by determining the oldest examples of its use both in source texts and secondary literature.1 For nearly four centuries this term was commonly applied to the various motifs on mantles of figures represented in art of the 1st millennium AD.2 These right-angled and letter-like signs attracted the attention of several authors who were seeking to explain their possible symbolic meaning, but they did not pay attention to the correctness of the term adapted to name such motifs.3 This approach contributed to the terminological confusion and difficulties in understanding the …

A Diachronic View On Fulling Technology In The Mediterranean And The Ancient Near East: Tools, Raw Materials And Natural Resources For The Finishing Of Textiles, Elena Soriga

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Among the operations required in the overall cycle of the ancient production of textiles, Greek and Roman sources refer to the fulling of woollen fabrics as the most complex and expensive technical process performed both in the 1st millennium BC and the 1st millennium AD. Indeed, the finishing of woollen clothes needed a large amount of time, energy and labour, as well as involving the use of specialized skills and costly raw materials. Fulling fulfilled two functions that were necessary for the proper finishing of cloth, namely the scouring and consolidation of the fibres in the fabric. Woven cloth straight …

Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …