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Articles 1 - 13 of 13
Full-Text Articles in Art Practice
Virtual Bodies: Probing Fake Flesh, Emily Elhoffer
Virtual Bodies: Probing Fake Flesh, Emily Elhoffer
MFA in Visual Art
This thesis explores the fluid and often elusive concept of the body as mediated through technology and art, questioning the boundaries between the physical and virtual. By investigating the interactions of cultural ideals, technological mediation, and material experimentation, the research delves into how contemporary art practices can challenge and expand our understanding of embodiment.
Central to this exploration is the use of varied mediums such as sculpture, digital imagery, and installation art to create what I term "virtual bodies"—conceptual entities that exist at the intersection of imagination and material reality. These creations often reflect and critique societal norms regarding beauty, …
As I Wander, Michelle Lum
As I Wander, Michelle Lum
CGU MFA Theses
My work highlights moments of wonder from my everyday life to give a more holistic view of reality. To me, experiences of wonder are spaces where a person feels God’s presence, where the spiritual reality of our world becomes visible. Sacraments in the Christian tradition are visible signs of a divine reality. I think of my work as sacramental: heightening moments where the visible gives way to the invisible—not by denying their physical characteristics but through them. The heart of my work is in the intersection between that which is deeply ordinary and that which is deeply extraordinary.
Beside| |Between, Brooke J. Armstrong
Beside| |Between, Brooke J. Armstrong
Graduate Student Theses, Dissertations, & Professional Papers
Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.
The Program, Aaron Douglas Estrada
The Program, Aaron Douglas Estrada
Theses and Dissertations
In my work, I explore the engineering of identity and socioeconomics that are programed into Black and Brown communities. I refer to this as “The Program”. The Program validates, breaks, codes, and critiques the system that divided us. The Program is identifying with the struggle of growing up in a system that is programmed to see you fail. So if you get caught up in that system it’s a natural death within the program. But you can break and make your own program. If you stick to the program.
The paper's use of language is coded. Text has been written …
Thanks To You, I'M Alive, Antonio Scott Nichols
Thanks To You, I'M Alive, Antonio Scott Nichols
Senior Projects Spring 2019
Antonio Nichols
Artist Statement:
In this project I am using figurative painting to explore the meaning of relationships/emotion and my connection to the people I am painting. I question what this means and how each individual’s identity ties to mine and why it may or may not matter. “Thanks to You, I’m Alive,” the title of this project, encompasses the message I am sending not only to the individuals I painted but also to the viewer because there is a certain exclusivity in who I decided to paint.
I want the connection I have with these people to not only …
Facing The World: The Unapparent Merits Of Makeup, Ishbel A. Mccann
Facing The World: The Unapparent Merits Of Makeup, Ishbel A. Mccann
Scripps Senior Theses
The act of applying makeup is a ritual shared by many, often beginning at an early age. Though makeup is presented as a final product in the public sphere, the process of applying makeup can be just as, if not more important. This thesis acts as the theoretical basis for my digital art project, Facing the World. My work gives insight into the lesser understood motivations behind wearing makeup while shedding the stigma that wearing it is merely a superficial act or sign of vanity. The project Facing the World presents the makeup routines and personal narratives of seven …
Flushed, Virgilia K. Ellis
Flushed, Virgilia K. Ellis
Electronic Theses and Dissertations
The artist describes the process and development of the work throughout her graduate career, relating them to the most recent works of her thesis exhibition. Topics discussed include experiences of beauty and themes of transformation. Contextual influences include the Rococo period as well as ideas and theories of Romanticism and the sublime. Histories and theories on representations of the body are also discussed.
The artist discusses her MFA thesis exhibition Flushed, at the Tipton Gallery in Johnson City, Tennessee, from April 13th to April 24th, 2015. Two painting installations, a sculptural installation, and a number of collages are included. Media …
Beauty Within Destruction, Julia Rindal Kron
Beauty Within Destruction, Julia Rindal Kron
Senior Honors Projects, 2010-2019
Beauty within Destruction represents the culmination of my body of work for my Senior Honors Thesis. My paintings are an exploration of the environmental impact and visual beauty of petroleum. Petroleum is a versatile substance, and comes in many types serving a variety of applications. My thesis focuses on petroleum because of its impact on my childhood home, using acrylic paint (a petroleum byproduct).
When I was a sophomore in High School, my family was notified that our neighbor’s oil tank had leaked 1,000 gallons of petroleum underneath our home. This incident turned into a five-year legal and emotional battle …
Rope-A-Dope, Gabriel L. Perez
Rope-A-Dope, Gabriel L. Perez
CGU MFA Theses
I create from everyday items, coming from everyday people. I do not think that what I create is too difficult for anyone to understand but I know that although I created it, it eludes me. Plastic containers, disposables, and clothing reach out to eyes that see them differently. I’m not trying to make people see things differently; I’m just trying to make you look. Call it theatrics but with a history of various performance experiences, I am not above pulling a cheap trick to get your attention. Nor will I shun the lingo and logic of decoration since I am …
Measured Chance, Brian R. Kluge
Measured Chance, Brian R. Kluge
School of Art, Art History, and Design: Theses and Student Creative Work
In my practice I use clay to make enigmatic, non-representational sculptures that employ reductive geometry and archetypal forms. By pressing clay into a variety of molds, it is my intention to contrast a primal crudeness with a skilled precision in my handling of the material. I fabricate objects that range in scale from handheld to human- size. In this work, I combine references to the forms of manmade things with surfaces that allude to age and wear resulting from natural patinas that occur on stone, wood, or metal. This body of work shares qualities with the Minimalist and Earth Art …
Beauty, Ugliness, And Meaning: A Study Of Difficult Beauty, Christine Anne Palmer
Beauty, Ugliness, And Meaning: A Study Of Difficult Beauty, Christine Anne Palmer
Theses and Dissertations
The emergence of modern art, and subsequently contemporary art, has brought with it a deep-rooted deliberation of the definition of beauty and its role in the realm of art. Unlike many representational artworks, contemporary art less often contains a beauty that is readily available on the surface of an artwork- an easy beauty. Instead, it often possesses a beauty that requires substantial reasoning and understanding- a difficult beauty. Just as the definition of beauty has and will continue to be culturally and historically changing, so must our methodological and pedagogical practices in regards to beauty and Aesthetics. As Art Educators, …
Ideals And Realities, Pamela Bowman
Ideals And Realities, Pamela Bowman
Theses and Dissertations
In order to produce work that prompts the viewer to undergo a process of personal exploration resulting in discourse and the understanding of feelings, it is necessary to balance ideals and realities, combine experience and creativity, and blend concepts and materials. Ideals and realities are discussed in this paper, using an approach that concentrates on foundational principles. The ideals of morality, beauty, goodness, acceptance, and unity form a foundation for the motivation behind my work. They are described in relationship to the philosophy of aesthetics. Ideals are contrasted with realities of life which have patterns and rhythms. These repetitive patterns …
Natural Forces, Natural Forms, Robert Benjamin Randolph
Natural Forces, Natural Forms, Robert Benjamin Randolph
Legacy ETDs
No abstract provided.