Graphic Design Commons^™

Volume 06, Kristen Gains, Amanda Willis, Holly Backer, Monika Gutierrez, Cara O'Neal, Sara Nelson, Sasha Silberman, Jessica Beardsley, Jamie Gardner, Edward Peeples, Matthew Sakach, Tess Lione, Emily Wilkins, Kelsey Holt, Jessica Page, Jamie Clift, Charles Vancampen, Gilbert Hall, Jenny Nehrt, Kasey Dye, Amanda Tharp, Jamie Leeuwrik, Ashley Mcgee, Emily Poulin, Michael Kropf, Nick Pastore, Austin Polasky, Morgan Glasco, Laura L. Kahler, Melinda L. Edwards, Brandon C. Smith, Mariah Asbell, Cabell Edmunds, Amelia D. Perry, Alyssa Hayes, Irina Boothe, Perry Bason, James Early

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Caught Between Folklore and the Cold War: The Americanization of Russian Children's Literature by Kristen Gains

Graphic Design by Amanda Willis

Graphic Design by Holly Backer

Prejudices in Swiss German Accents by Monika Gutierrez

Photography by Cara O'Neal

Photography by Sara Nelson

Edmund Tyrone's Long Journey through Night by Sasha Silberman

Photography by Jessica Beardsley

Photography by Jamie Gardner and Edward Peeples

The Republican Razor: The Guillotine as a Symbol of Equality by Jamie Clift

Graphic Design by Matthew Sakach

Genocide: The Lasting Effects of Gender Stratification in Rwanda By Tess Lione and Emily …

Tygr 2014: Student Art And Literary Magazine, Jill Forrestal, Dave Johnson, Patrick Kirk, Erin M. Stephens

TYGR: Student Art and Literary Magazine Archives (1985-2017)

TYGR is the student art and literary magazine for Olivet Nazarene University.

[Historical Muse] The Tyger -- William Blake, p. 2.

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …

Less Realism : More Meaning : Evaluating Imagery For The Graphic Designer, Stuart Medley

Stuart Medley

Typography' as a defining term has become interchangcable with 'graphic design'. and while font choice and application is seen as of paramount importance. image choice, virtually half , . of the communication design equation, is neglected in the theory and in pratice is left to the instinct of the designer. In this thesis I try to find approaches for graphic designers to understand image to the degree that they understand type. These approaches are tested through assignments for graphic design students and the results recorded and analysed. I seek to address the paradox that we are able to communicate more …

The Impact Of Branding And Marketing Strategies On Events With Sole, Jennifer Vucinich

Graphic Communication

The purpose of this study was to research current marketing, branding, and social media strategies and apply those to Events with Sole, a nonprofit organization that establishes running and multisport races in Northern California. This study explored the impact of these strategies on nonprofit organizations and the importance of sustaining a brand identity. More specifically, this research defined effective logo design for nonprofits, and based on collected data, provided suggestions for potential improvements to be made to the current Events with Sole branding. This research also provided suggestions for improvements to be made to social media strategy and marketing tactics, …

User Interface Design For Online Social Media, Jackie R. Hayes

Graphic Communication

The purpose of this study was to identify implementation techniques of a successful user interface for an online social media application. Interviews were conducted with three employees from three separate social media applications to compare how designers approach user interface design differently. The working professionals were asked a series of user interface design questions about the social media application for which they work and help design. The interview responses were compared to the results of the Voice of the Customer (VOC) survey where 100 online social media (OSM) users were surveyed at random about their user interface design preferences within …

The Quincy Brand, Jessica Pelton

Graphic Communication

The purpose of this study was to find how to effectively brand the Quincy brand by designing multiple platforms that will communicate the company’s intended message to the consumer. After researching the Western industry, designs were created for the brand based on the company’s target market and intended product. Designs were created for a logo, package, and website. A survey was conducted to determine which designs most effectively represented the company and appealed to the consumer. The results of this study can be used to develop Quincy into a distinctive and established brand in the marketplace.

Aesthetically Designed Maps: Development And Perception, Catherine Wang

Graphic Communication

This research explored the creative element of subway map creation in light of its effectiveness. Printed subway maps, used often for metropolitan cities and areas, are limited in physical dimension and scale, carrying minimal information. The New York, San Francisco Bay Area, Tokyo, Paris, London and Moscow subway maps highlight similar design and abstraction that fulfill the basic necessary elements for subway patrons. Over the years since the first metro map for each city was created, maps have become more simplified by removing physical land features and reference points to make way for expanding and new subway lines, stations, and …

Graphic Design Students Contenders In International Competition, Tia Patsavas

News and Events

No abstract provided.

Working Women: Contemporary Cinematic Costumes In "Desk Set" And "Working Girl", Karen Hummel Kinsley

Dissertations, Theses, and Capstone Projects

The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.

The focus of this thesis is to examine how the contemporary cinematic costume designer unifies contemporary clothing with the actor's body to narrate a cinematic character's story. In order to understand how the costume designer creates a …

Life By Design: As A Top-Shelf Illustrator And Art Director, Maria Gonzalez ’08 Draws Attention With Her Graphics Magic., Kim Hill

News and Events

No abstract provided.

Unloosed: Designing Participatory Objects, Laura Schlifer

Theses and Dissertations

The ubiquity of technology has mediated the means of receiving content through digital networks; users have complete control over receiving, shaping, and sharing information. In contrast to the inherent elasticity of these networks, physical pieces of communication often manifest through a closed and highly controlled process. However, the increased prominence of user-interaction with media provides an opportunity to evaluate the design process as it applies to the creation of physical objects. Throughout much of my work, I investigate the potential for unloosening the control of designed objects by inviting others into the design process. By considering the audience as active …

Central Falls Welcome Sign Project Phase 2, Lindsay Guastefeste, Elyssa Roketenetz, Jorge Saenz, Jake Wheeler, Arnold Robinson

Graphic Design

For this design, the intent was to create a completely different identity for the City of Central Falls, as well as create a stronger connection with the state of Rhode Island. The curved shape that is created by the top portion of the design suggests a relationship with the Ocean State and the symbol of the wave that is seen throughout the State and even its license plate. It also creates a more modern approach with its abstract shape as well as creates a new and recognizable destination for tourists and locals. The use of brick for the base suggests …

Think / Make / Think (Exhibition Catalogue), Sam Yates, Dorothy Metzger Habel, Joshua Bienko, Jered Sprecher, Emily Ward Bivens, Sally Brogden, Jason Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichii Yamamoto, Mary Campbell, Timothy W. Hiles, Amy Neff, Suzanne Wright

Ewing Gallery of Art & Architecture

This exhibition featured the work of current professors in the University of Tennessee School of Art.

Exhibiting faculty were: Joshua Bienko, Emily Bivens, Sally Brogden, Jason S. Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Jered Sprecher, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichi Yamamoto, and Sam Yates.

Changing Minds To Changing The World: Mapping The Spectrum Of Intent In Data Visualization And Data Arts, Scott Murray

Art + Architecture

No abstract provided.

Centennial Notecards, Anne Giangiulio

Anne M. Giangiulio

From the over 30 watercolor drawings I did of buildings on The University of Texas at El Paso (UTEP) campus, 24 were selected to be made into high-quality deckle edged blank notecards. The cards are sold on campus in 4 separate packages of 6 cards each for $18 as part of UTEP's Centennial celebration in 2014. These same drawings also became a silk scarf (see also "Silk Scarf designed for UTEP's Centennial Celebration" under the "2013 Portfolio in Depth" header).

Oktoberfest Designs, Anne Giangiulio

Anne M. Giangiulio

Designs done for local El Paso bar, The Hoppy Monk. These included my design on authentic earthenware drinking steins imported from Germany, a poster, a T-shirt and Facebook ad.

Posters Against Ebola, Anne Giangiulio

Anne M. Giangiulio

Poster I designed and donated to the website project http://postersagainstebola.com/. All proceeds of the sale of this poster go to Doctors Without Borders. This poster featured a stylized traditional mask design of the Ivory Coast, where the Ebola outbreak was at its worst. This poster was produced as a limited edition screenprint with printing donated by local El Paso, TX print shop, Proper Print Shop.

Chalk The Block 2014 Poster, Anne Giangiulio

Anne M. Giangiulio

I designed this poster for the annual Chalk the Block event which took place October 10–October 12, 2014 in downtown El Paso. For the pop-up gallery component of the event, I organized a group of 10 students from my 'Graphic Design 4: Typography' class at The University of Texas at El Paso. Their posters were judged and selected to be on sale in a downtown outdoor booth for the three-day weekend event. All proceeds from the sale of the posters went directly to the students.

Patrick Scott’S Work For Signa Design Consultants, Mary Ann Bolger

Mary Ann Bolger

This essay examines Patrick Scott’s work as a designer in mid-twentieth century Ireland. It focuses in particular on the work of one of Ireland’s first modern design consultancies, Signa, where Scott was the general design consultant. The paper argues that Signa’s designs provided an early model for a design vocabulary that could be, in the words of the British design critic Herbert Read, both “Irish and contemporary”.

The Star, National Airlines, Dinner Menu Postcard, National Airlines

Airline Menus

No abstract provided.

Horizon House Restaurant, International Airport, Houston, Texas, Houston International Airport

Airline Menus

No abstract provided.

Pan American Airlines "Happy Landings!" Breakfast Menu, Pan American Airlines

Airline Menus

No abstract provided.

Carte Des Vins Et Liqueurs, Arnaud, Nouvelle Orleans, Arnaud's, New Orleans, Wine And Spirits Menu, Date Unknown, Arnaud's

Restaurant Menus

No abstract provided.

Arnaud's, New Orleans, A La Carte Menu, Date Unknown, Arnaud's

Restaurant Menus

No abstract provided.

Arnaud's, New Orleans, A La Carte Menu, Date Unknown, Arnaud's

Restaurant Menus

No abstract provided.

Cochran House, Estate Of Charles F. Hendershot, Newton, New Jersey, Date Unknown, The Cochran House, Estate Of Charles F. Hendershot

Restaurant Menus

No abstract provided.

Crawford's Sea Grill, "On The Shores Of Puget Sound," Seattle, Washington, Date Unknown, Crawford's Sea Grill

Restaurant Menus

No abstract provided.

Restaurante Del Paseo, Chafing Dish Luncheon Menu, Date Unknown, Restaurante Del Paseo

Restaurant Menus

No abstract provided.

Broussard's Napolean Patio, New Orleans, Postcard, Date Unknown, Broussard's Restaurant

Restaurant Menus

No abstract provided.